Jennifer Baggerly on Disaster Response Play Therapy: Shelter from the Storm

Lawrence Rubin: I’m here with Jennifer Baggerly, Professor of Counseling at the University of North Texas, Dallas, a licensed professional counselor supervisor, and a registered play therapist supervisor. As an award-winning and distinguished leader in the field, she has trained thousands of graduate students to be competent counselors and play therapists. We will be speaking with her today about her work at the site of natural disasters. Welcome, Jennifer.


Jennifer Baggerly: Thank you. It’s wonderful to be here with you, Larry.


Navigating the Terrain


LR: It’s great to be here with you too. Some of our readers may be familiar with play therapy, some not. So, I’ll start by asking about your particular orientation to play therapy, and how it lends itself to working at the scene of a natural disaster?
JB: Typically, when I’m working with children in private practice in the United States who have experienced trauma, I use a child centered play therapy approach in which I’m allowing the child to direct the play. In this non-directive approach to play therapy, I’m trusting their self-actualizing potential. I’m providing a protocol of therapeutic responses during their play and trusting that through the therapy, the therapeutic relationship, and their play, I can facilitate self-understanding that promotes their emotional understanding and eventually their healing.

Along with this child-centered, or in a broader sense, this person-centered play therapy approach, I will sometimes add some psychoeducation in the form of children’s books that may be relevant to their particular presenting problem or to something else that they may need. So that’s typical in my private practice in the United States.

Disasters, and natural disasters in particular; however, require a different therapeutic approach. There, I work from a disaster response therapy perspective, which is a trauma-informed disaster response/play therapy perspective. There’s a whole protocol for this that is reflected in some of my earlier work around preparing play therapists for disaster response and cultural adaptations for play therapy after Hurricane Maria in Puerto Rico. Just recently, the Association for Play Therapy has developed disaster response guidelines for play therapists.

That’s very helpful because it takes into account the particular setting and scene of a disaster. There are many different types of protocols you must follow. For example, the number one protocol is you do not go to disaster to provide disaster response for children unless you have been invited by a particular organization. When you get that invitation, you’re going to be following the incident command structure, depending on whether it’s been a very recent event such as a hurricane that just happened.

Many families will be staying in shelters. You also need to be able quickly oriented to the particular culture that you’re working with which means that you need to work closely with the contact person on the ground who is helping you to understand the social and political issues that are occurring. And from there, it is important to be able to adapt your clinical approach.

That’s the preparation stage of the work. And then when you get there, the primary goal is to do no harm. We’re not going to do a big assessment looking into their past traumas and such. We’re just focused right there, at that time, and that’s where child-centered play therapy really fits well.

We’re just looking at that child in the moment and giving them a safe place to play. We also have to be aware that every child comes with a family who may need some help and guidance while the child is in their play session. Sometimes they need a little bit more structure, or perhaps they need some psychoeducation about typical responses after a disaster. Sometimes they need coping strategies to calm themselves down and get themselves back into the window of tolerance of being able to emotionally self-regulate. We provide that as well as opportunities to play. It’s a much bigger picture in disaster response that you have to navigate compared to the work you do in an office.
The Very Serious Work of Play
LR: Non-directive play therapy focuses on allowing the child to guide the play, to choose the objects to, and to play out whatever theme is important to them. The therapist is a supportive guide and reflective presence. Is the therapist more directive and directing at the site of a natural disaster?
JB: We’re using the child-centered play therapy within the trauma informed disaster response. So we provide a lot more structure leading up to the actual play sessions. But when we do provide the sessions, we often take a mobile play therapy kit in a suitcase which we’ll have available for a local response.

For example, I did some responding after the tornadoes in Oklahoma and Texas. If the events are local, I can bring more equipment. Like I might bring the bop bag, often known as Bobo. What you bring depends on the setting you’re going into, and I prefer to be in a setting that is a little bit more contained like a school or a place of worship where they have rooms and there’s not a lot of people going back and forth. That way you can set up a play area, particularly for the child and provide privacy.

However, sometimes you have to be very, very flexible. For example, I’ve done disaster work in shelters where I’ve just had the corner of a room, where we set up chairs to make a boundary for the therapy space from the people walking by. In those spaces, our typical play kit will have the aggressive release toys and nurturing toys, as well as toys and materials for creative expression.

One time, we were using dart guns which upset some of the parents and disaster shelter folks, so we had to put them away. It was the same with the bop bag, or Bobo doll. While we knew therapeutically that these kids were releasing some aggression and gaining a sense of power and control, we had to respect the others around. After Hurricane Katrina, I was working with some children in Louisiana who were playing in a classroom with the dart gun. In that instance, people were not walking by, so we had a bit more freedom. A boy grabbed the dart gun and jumped up on the table, “okay, we’re going to shoot the monster that’s coming toward us.” He was referring, of course, to the hurricane. They played out what we would call a trauma reenactment.

They were, in a sense, shooting this monster hurricane that had impacted their community. That particular child had been at the Superdome where he had witnessed actual shootings. Had that play occurred in the corner of busy shelter rather than a private room, that group would not have been able to play out that particular scene out of concern for re-traumatizing others in the immediate vicinity. That’s why understanding and working within context is critical.

LR: that pretend play gave them a sense of power and control; a sense of mastery over this terrible thing that they had experiencedIs the play of children who have been traumatized by natural disasters different from the play of children who have not been similarly traumatized?

JB: Sometimes, yes but it a lot of it depends on the exposure they had to the particular incident and their history. Important factors include whether they were impacted by the death of somebody that they knew, being close to that person as they were dying, their own resilience, and their own history of trauma.

Many times, you will see more direct reenactment of the incident through what we call traumatic play. For example, I was working with a group of children in Florida after a major hurricane. There, because of the setting, it was not possible to have individual sessions. On their own, this particular group of children decided to make a circle and then have one kid in the middle pretend to be the hurricane. The kid would spin around while going around the group which worked together to push the hurricane back. Those kids loved that game that they created and eagerly took turns being the hurricane. That pretend play gave them a sense of power and control; a sense of mastery over this terrible thing that they had experienced.

LR: In that instance, you witnessed what I might call resilience-oriented play where the kids were working through the trauma creatively, spontaneously, and in their own way. What do you look for in kids’ play that suggests resilience and healing?
JB: For example, if the monster is coming at them and they’re shooting or something like that, I’m looking to see if they have a sense of resolution. Can they overcome this? Many times, kids will play good versus bad, kind of a cops-and-robbers type of idea. But then maybe, they will play the bad guy or the bad thing, in this case the hurricane and will get to the point where they are the superhero that comes in to rescue everyone. And so, I often look for the rescue to happen as a sign that they are working through the trauma in a healthier way.

LR: When it’s time to leave the community, how do you ensure that treatment or healing can or will continue? In other words, what seeds are you planting both with the children and within the community?

JB: That’s why disaster response play therapy often includes a group session where we teach some coping strategies like deep breathing, some self-soothing, or distraction through a song of resilience like, “I am safe, I am strong.” We teach those coping strategies so that the child feels a sense of empowerment which is a more directive approach as opposed to typical non-directive, child-centered play therapy. That . We have to give the kids actual coping strategies along with psychoeducation about what they can expect, it’s part of the trauma informed disaster response play therapy protocol. And we want them to know that they will be OK.

We also want to extend that to the families, many of whom need a more direct psychological first aid approach to help them de-escalate, to become more emotionally regulated. Some parents are just not able at that particular time to provide the care and nurturing for their children. After Hurricane Katrina, there were displaced families I saw at a shelter––people who didn’t know where they were going or how they were going to survive. I respected the fact that the parents were in survival mode; fight, flight, or freeze! They simply couldn’t attend to their children in that state.

That’s when disaster mental health responders can be helpful to their children by providing them support the parents can’t. After Hurricane Maria in Puerto Rico, in spite of the fact that some time had passed since the storm, many people were still struggling. We went to a place of worship where families came together. There was a sense of community. The church leader gathered the parents around in a circle where they held hands and prayed. I thought that was a great example of using the community structure and its own built-in sense of resilience and support.

After we worked with children whose parents were most severely impacted, we went back to those parents or caregivers to give them a debrief about the progress their child(ren) made. We were giving a warm handoff back to the parents and providing them with some support. Sometimes those parents just need to talk and get that comfort from the play therapist. But we were also carefully watching those children for signs of serious trauma so we could refer them to local counselors and mental health professionals in that area. For example, I worked with one mom whose daughter was in a community that had been hit by a tornado. It seemed that the child was okay as there were signs of resilience. But the mom was really struggling because she had been on the phone with her older daughter when the phone went dead. She was terrified that her daughter had died. While it turned out that she was okay, they were out of contact for about 24 hours. That mom needed some extra help which we were able to provide. We were also saying to that mom that she would benefit from having someone else in her community to work through this trauma. In that instance, the child was more stable than the mom.
LR: These disasters bring death, so grief is an ongoing process that transcends your presence there. Have you had the opportunity to use the play to create a death scenario or mourning activity?
JB: Yes. Many of the portable play therapy kits that we bring have a sandtray the size of a laptop computer, maybe a bit bigger, that can accommodate the miniatures kids like to place in there. That’s where a lot of kids will play out death scenes. I’ve had kids create scenes in the sand that are knocked down by a hurricane. In those scenarios there may be a burial. Some of the kids do it quite quickly, while others are almost in a trance type state while they are doing it. That’s where the play therapist comes in, so that they can process that scene with the child by reflecting their feelings and helping them to understand their beliefs through reflective feedback.


The Stress of Deployment

LR: Shifting a little bit to the clinician, what are some of the challenges you’ve witnessed to the therapist at the site of natural disasters?
JB: I’ll back up a bit to the preparation phase of deployment because we anticipate there will be challenges for the clinician. And because we know that each person will feel overwhelmed at some point, each play therapist has to do an inventory of how they will cope and what their self-care plan is; emotionally, physically, relationally, and spiritually. That is an essential part of the protocol. Before my team took off to Puerto Rico after Hurricane Maria, we talked about what each person needs to do when they become dysregulated.

If, for example, somebody says, “well, my back’s been acting up,” or that, “I’ve got a problem with my diabetes,” or “I have difficulty with some other ailment,” then that’s also not the time to go. Someone may have had a recent death in the family or be experiencing family issues, so those are also reasons for not going. And we also have to think financially, because deployment is not remunerated, and some people can’t afford to take the time away from work. And that reminds me of another disaster response protocol which is that you never go alone; you always go with the team.

At the scene, some people may get a little snappy, some people just may withdraw. Some people may just cry. So, we identify what dysregulation means for each member of the team and then the team will intervene and help the person develop what we call a “NAP” or non-anxious presence. That’s just basically getting yourself into your window of tolerance, de-escalating, getting yourself back, emotional regulation, and/or implementing your strategies. One person may say, “Look, I just was really overwhelmed by this one kid’s story of death,” so the team debriefing cuts down that sense of isolation and despair that often comes in the presence of death and dying.

LR: Eliana Gill and I wrote an article about countertransference play, or how clinicians can use the play materials to work through their own countertransference response. Have the clinicians you’ve worked with found it useful to play in order to work through the stress of being there?

JB: That’s a great point and very helpful. To the extent possible, many play therapists will do a sandtray or an expressive arts activity. One such activity is drawing a circle with words expressing feeling overwhelmed on one side of a piece of paper. On the other side of the paper, the therapist draws a circle with words through it suggesting hope or resilience. The circle provides a sense of containment for the feelings evoked by the words within it. It can even be a group play activity, where the therapists stand in a circle and hit a ball back and forth. Or it can be as simple as enjoying a meal together.
LR: One of the themes that’s run through our conversation is the importance of working through play within the cultural context. In Puerto Rico, for example, were there any indigenous healing rituals that you were able to tap into?


JB: Well, there there’s a real sense of Puerto Rican pride which was a beautiful thing to witness. There’s that deep sense of shared identity—we are Puerto Rican; we are a strong people. We would often see signs like that in peoples’ yards or common areas. Another thing that we did with a group of children was to sing songs about being safe and strong, which was similar to one of their own songs about a chicken. All across the island, there was singing, dancing, and the sharing of food.

LR: Jennifer, as we wrap up, can you offer any particular resources or organizations that child therapists or play therapists can visit to learn more about this process and perhaps how to get involved?

JB: Absolutely. As I mentioned, the Association for Play Therapy just came out with their practice briefs on disaster response for play therapists. I think that’s a very important document to see. They make it very clear that APT is not in the business of deploying people. So, for that part, therapists who are interested in disaster mental health and disaster response play therapy would need to link themselves with other entities. 

he American Red Cross would be another resource, as well as many other non-governmental organization. I also did a couple videos, one of which is called Disaster Response Play Therapy. So, there are opportunities, but the play therapist needs to be intentional in making those network connections prior to the incident. 

LR: Jennifer, thanks so much for sharing your expertise and experiences with our readers and for the incredible work you and your teams have done at the sites of these natural disasters. It’s been a pleasure.

JB: Thanks Larry. I enjoyed this time with you.

©2025, Psychotherapy.net

Bio

Jennifer Baggerly, PhD, LPC-S, RPT-S, is a professor of Counseling at the University of North Texas at Dallas. She is a Licensed Professional Counselor Supervisor and a Registered Play Therapist Supervisor with over 25 years of play therapy experience. Dr. Baggerly provides counseling and play therapy at Kaleidoscope Behavioral Health in Flower Mound Texas. She served as Chair of the Board of Directors for the Association for Play Therapy from 2013-2014 and was a member of the board from 2009-2015. She has over 70 publications and is recognized as a prominent expert in children’s crisis intervention and play therapy.

References

Baggerly, J. (2018). Children and adolescents in disasters: Promoting recovery and resilience. In J. Webber & B. Mascari’s (Eds.), Disaster mental health counseling: A guide to preparing & responding (4th ed., pp. 149–164). American Counseling Association.

Baggerly, J. N. (2013). Trauma Informed Child Centered Play Therapy. (Video). Microtraining Associates and Alexander Street Press.

Baggerly, J. N. (2006a). Disaster Mental Health and Crisis Stabilization for Children. (Video). Microtraining Associates and Alexander Street Press.

Baggerly, J. N., & Green, E. (2015). The mass trauma of natural disasters: Interventions for children, adolescents, and families. In N. Boyd-Webb’s (Ed.), Play therapy with children and adolescents in crisis (4th ed., pp. 315–333). Guildford Press  

Hide & Seek: Evoking Desires to be Seen, Heard, and Found

Separation and Reunion

Hide-and-seek is a universal game enjoyed by children across different cultures and ages. It reflects the ongoing interaction of separation and reunion that begins in infancy. As children develop emotionally, they transition from infancy to toddlerhood and eventually to childhood, engaging in various play activities such as peekaboo, chasing, and hide-and-seek. These games help children navigate developmental challenges, allowing them to experience loss and learn how to manage the dynamics of separation and reunion while forming close relationships with others. Playing peekaboo and hide-and-seek help children transition from relying on the physical presence of their caregivers to developing mental representations of them that they can recall when the caregivers are not around.

Play allows a child to make sense of their experiences. Play Therapy provides a therapeutic environment in which children can explore the unconscious independently. Children inherently strive for growth and healing. Our role as play therapists is simply to create the right therapeutic space and setup, enabling them to express and address what needs to be transformed or resolved. This is why play therapists don’t have to actively introduce concepts; children naturally initiate hide-and-seek themes on their own in the playroom.

Attachment and Loss

The presence of repetitive hide-and-seek in play therapy suggests the child may have experienced an inability to master the developmental task of emotional constancy, had (or has) a break in attachment where the child did not feel wanted or desired, or weak attachment bonds.

A major task of childhood is achieving emotional constancy. Emotional constancy is the ability to have an inner conviction of being ‘me and no one else’ while also respecting and valuing the separateness of others. Achieving emotional constancy enhances one’s ability to manage emotions during change or in response to anger, disappointment, and frustration. Hide-and-seek is essentially the child’s attempt to overcome and work through the earlier developmental need to understand that people can disappear but then return.

Boy who wanted to be found

Jeremy is an 8-year-old boy who faced medical complications at birth and continues to live with a rare heart condition. He was separated from his mother and spent several months in the Intensive Care Unit before his parents could bring him home from the hospital.

As we entered the playroom, he looked at me with the biggest smile on his face. I looked back with glee.

“You’re excited to play today,” I said.

“Yes. Because I am going to hide now, don’t look,” he shouted! “Close your eyes,” he added as he ran toward the other end of the playroom.

With my eyes closed and my hands over them, I waited while he hid. After some time, I softly walked around looking for him.

“Oh, where are you,” I asked. “Where did you go?”

Before I could make my way around the playroom, he popped out.

“Here I am!”

“Oh, there you are. I was wondering where you went.”

He shook his head in agreement.

“Again, find me again,” he quickly directed!

Jeremy played variations of hide-and-seek with me, and also in the burying and unburying objects in the sand during our time together in the play. He often struggled to stay hidden during the process, popping out or revealing himself before I could find him (or the object) suggesting he struggled with the tensions of aloneness and deep down feared no one would notice or “find him.” Across time and throughout the sessions, he was able to spend more time hidden and eventually developed confidence in sitting with tensions of oneness and separateness. I was careful to attune to his desire to be seen, heard, and found.

***

For Jeremy, and others his age and developmental level, hide-and-seek symbolizes the universal human desire to be seen and heard. Play therapy allows children to explore, restore, and practice the concerns that occupy their inner world. Engaging in hide-and-seek with me helped him to manage anxiety, while also fostering a sense of mastery and reinforcing his self-worth.

Questions for Thought and Discussion

What childhood games have you effectively utilized in therapy?

What are your impressions of the way this author used hide-and-seek?

Given the child’s presenting issue, what might you have focused on in the playroom with him?

Through the Eyes of the Childlike Empress: Play Therapy with Refugee Children

A Newcomer to the Reception Center

Rayan’s story has so much in common with those of hundreds of children I (IC) have met over the years when I worked for a major humanitarian organization as a social worker and head of social services. When I met him at the Reception Center (“Center”) for asylum seekers and refugees, I knew nothing about what had happened in his life and that of his family before they sought asylum in Switzerland. I would simply receive a referral, confirm the possibility of hosting the family, record basic data, and read observations from professionals they met before me.

Rayan was a 5-year-old boy from a conflict-torn area, the eldest of four siblings. Before he had lived for short periods of time in many different locations where no one spoke his native language or shared his culture of origin. Reading the few notes about him reminded me that we might have to deal with a little “Hulk,” the fictional character from American comic books who, when angry, loses control and unleashes superhuman strength. Those notes read, “The child is unsettled, too reactive but too insecure, he is already behind on everything. He is unmanageable and dangerous to other children; he cannot be included in a formal preschool program or in group activities. He has already broken two chairs; we can’t risk having him with us.”

As had happened to me before, I had the feeling that much of the world around this child was constantly reminding him that he did not fit in, and that he had now accumulated a series of labels: clumsy, dangerous, unsuitable, incompetent, irredeemable. Can anyone be cumbersome, unlovable or lost at 5 years old? Some time ago, my colleague (and co-author of this essay) Claudio said to me, “It’s okay for a little child to have never won anything, but it’s not okay for others to make him think he’s already a loser.” Simple as it is, this statement resonates perfectly with what I believe.

What Rayan had (or had not) learned so far did not make it any easier for him in this new context. He had come to a safe place, but his life had not really improved his feeling of safety. Compared to peers, some opportunities were blurring in front of him: play and recreational activities, kindergarten, afternoons in the park with other children—nothing was within his reach yet. He was spending some time in adult contexts, discourses, and rhythms. A vicious cycle was in place: Rayan seemed to be inadequate for any activity, his learning opportunities were reduced, and consequently he became less and less adequate to benefit from future activities.

In my work at the Center and in international crisis contexts, I grasped that one of the main goals of an intervention with displaced children was to help them improve the quality of their lives, and that this depended on having more opportunities and choices in daily life. This is positively influenced by having the chance to acquire new knowledge and skills (1). As with other children, Rayan’s difficulties did not end once his family filed for asylum. On the contrary, the world seemed ironically to be closing down his possibilities.

Even Bastian Did Not Feel Worthy

With the parents’ consent, we started Child Centered Play Therapy sessions. While I was setting up the playroom in anticipation of Rayan’s seventh visit, I wondered what he would come up with today. Would he throw the toys all over the room? Would he want to hit me with the sword very hard? Would I have to use again all my skills and patience to get him out at the end of 40 minutes? Wait a minute, I thought. Was I too, treating him the ways others had in the past?

There he was. Mom holding his hand. They were late and she seemed to be dragging him a little. He was sullen. I couldn’t tell if he had put his sandals on wrong or if he was actually twisting his feet a little. The tight tank top highlighted his few extra pounds. He glanced at me furtively. His eyes were hazel and his hair short and very dark. No, this was not “public enemy number one,” not to me at least. While very dynamic and physically strong for his age, he was, after all, just a 5-year-old.

As I kneeled to greet him, Rayan immediately sat beside me. In that moment, I reflected that it is experience that changes people, and for Rayan, a key aspect of those experiences so far in his little life was being seen differently, a bit like Bastian in The Neverending Story, by Michael Ende. Bastian did not feel he could be part of the adventure. He was afraid of the unknown, of being laughed at, of not being right. He felt he was not brave enough, thin enough, and handsome enough, and yet in the eyes of the Childlike Empress, he suddenly saw himself reflected in a new way: the image of a young prince, proud, agile, and competent, cut out for adventure.

I think Rayan needed new eyes that reflected a different image of him, one that would allow him to put aside the collection of refusals and negative labels and instead be able to develop his full potential.

A Very Special Play Time

Before we started our seventh play therapy session, I repeated to Rayan, “We are about to enter the special playroom. In this room you can do almost anything you want, if there is something you cannot do, I will tell you.”

Even though we already had a few visits, perhaps he didn’t fully grasp what I was saying. I opened the door and this time, rather than walk in, he paused for a few moments in the doorway. I would have loved to tell him:

This is a space of exploration and knowledge where you can do what you want as long as it doesn’t hurt you. Here, you can be whomever you want despite what some think of you. This is your space, and I am not going to tell you what to do and what to change. In your own time, you can discover who you are, who you want to become, and have the adventures that make you feel your best. I am here for you.

All human beings need to be co-regulated, let alone this little boy about whom I knew so little, and whose future was so incredibly uncertain.

“You’re not sure what you want to do today. You’re interested in those swords. You’re intrigued by those little cars.”

Suddenly, Rayan fell to the ground in a very theatrical way. I tried to understand as quickly as possible what he was communicating to me. Feeling that I had been invited into an imaginary play, I rescued him.

“Oh no, something has happened! Here I am, putting a bandage on you.”

I applied a bandage to his ankle and Rayan stood up. He looked around, took a few steps and again fell to the ground.

“Oh, it happened again, here I am, here’s a special medicine,” I said.

After a few moments, he got up and suddenly said aloud, “Help!” and threw himself back on the ground, stretching his arms and legs. I was again ready to rescue him and to respond in the way that seemed most appropriate.

Although I have the recording of this session, I never counted how many times he threw himself to the ground. Possibly 20 times in half an hour. Each time I rescued him as if it were the first. Was he representing a real-life moment? Was he testing my ability to play along and my resistance? Was it a way to elicit attention, care, protection, or a combination of all these things? Trying to understand what children are communicating to us is important, but what matters most is that they feel that they can let go, be themselves, and “tell their wordless story” (2). I wanted to be predictable, attuned and accepting so that Rayan realized that he could feel fully himself and find in me a valuable ally. As with Bastian, he deserved the time and space to tell his story, to create a tailored world in which he was the protagonist.

Facing the Bah

I repeated the initial play session structuring formula before opening the door. We were in the eleventh session and by then, it was clear to him what I was communicating.

“There’s a bah,” Rayan said to me out of the blue.

I had no idea what it was, but from his tone of voice and facial expression, it sounded like something scary, so I showed fear. But Rayan was no longer the same destructive and insecure child. He had begun to recognize his monsters and was now able to face them. In fact, he harnessed a sword, ran in the direction of the front door, and started a thunderous battle. Then he came back to me and let me know that he had defeated the bah. Suddenly this character reappeared, but this time, Rayan entrusted a sword to me too (the smaller one!) and we became allies against the bah.

We fought again and again, the bah moved, disappeared and then returned, and multiplied. At one point, something happened that I perceived out of the ordinary for our play. After a long battle together, Rayan turned to me and told me that the bah was me, and he suddenly hit me on the leg. The script of this version of the story as I understood it, was different. I was surprised, and feeling a bit emotionally hurt, mistakenly exclaimed, “I am not the bah!”

In looking back on that moment, I now realize that Rayan probably felt ready to see the scary character materialize in front of him, so to expand the play, he inserted a variation. Either hypothesis is good news while the video showing my mistake (a definitely directive reaction in a non-directive setting) appears to be useful in our trainings, producing laughter and relieving students’ tension before mock sessions, but above all it raises reflections on the complexity of the methodology, the role and awareness of the therapist’s person and feelings.

As the session continued, Rayan repeatedly called for reinforcements like the police who nevertheless never arrived. It was the two of us who had to defend ourselves. He had very clear ideas: he placed a dollhouse in the center of the carpet and carefully closed all the doors and windows and approached with swords and guns. Something didn’t convince him it was safe, so he slipped under a toy worktable and invited me in, but unfortunately, I didn’t fit. He spotted a large transparent box and emptied it on the ground making a loud noise, sat in it and invited me in. I succeeded but could only stand. Rayan looked around and found a black mantle, made me sit on the ground next to the box, and covered both our heads. Here we were finally in our safe space.

We stay down there, two allies whispering in amusement. Rayan was satisfied, courageous and creative. The bah was not defeated yet but had found a worthy opponent who had an ally who believed in him and would never betray him.

Recovering Lost Play Time

Like other children, Rayan took part in the project “Recovering Lost Play Time” (3) that we developed within Reception Centers for asylum seekers and refugees. After 12 individual sessions he gradually took part in a small group where he had the opportunity to further develop his initiatives and interests, but also to join other children’s play and got involved in several activities.

Mindful that what happens outside the therapy room is just as important as what happens inside (if not more so), the aim of our program was to initiate processes to expand the range of positive experiences in as many contexts as possible including family, school and recreational settings (4).

Many children like Rayan who face migration or protracted difficult circumstances learn that certain events and conditions can make them feel helpless, incapable, fearful, inadequate, unworthy. For them, recovering lost play time means regaining a feeling of safety and possibilities and accumulating, in their own time, different and positive ways of perceiving the world, others and especially their own worth.

References

(1) Cassina, I. & Mochi, C. (2023). ‘Applying the therapeutic power of play and expressive arts in contemporary crisis work. A process-oriented approach’. In I., Cassina, C., Mochi, & K., Stagnitti (eds.) Play therapy and expressive arts in a complex and dynamic world: Opportunities and challenges inside and outside the playroom, Routledge, 6–27.

(2) Damasio, A. (1999). The feeling of what happens. Body and emotions in the making of consciousness, Harvest Book Harcourt, Inc.

(3) Cassina, I. (2023). ‘Recovering lost play time. Principles and intervention modalities to address the psychosocial wellbeing of asylum seekers and refugee children’. In I., Cassina, C., Mochi, & K., Stagnitti (eds.) Play therapy and expressive arts in a complex and dynamic world: Opportunities and challenges inside and outside the playroom, Routledge, 50–68.

(4) Cassina, I., & Mochi, C. (2024). ‘Polyvagal-informed practice to support children and caregivers in war: Toward the creation of a huge and reassuring playroom’. In P., Goodyear-Brown, & L., Yasenik (eds.) Polyvagal power in the playroom. A guide for play therapists, Routledge.

Bethany Brand on the Identification and Treatment of Dissociative Identity Disorder

Lawrence Rubin: Bethany Brand is a professor of psychology at Towson University. She’s an expert in trauma, specializing in trauma related disorders, including post-traumatic stress disorder and dissociative disorders. She also maintains an independent practice in clinical psychology in Towson, Maryland. Doctor Brandt serves on international and national task forces developing guidelines for the assessment and treatment of trauma disorders. Welcome, Bethany. Thank you for joining.

Bethany Brand: Thank you so much for having me.

Right Place, Right Time

LR: What got you interested in dissociative disorders, trauma, and ultimately dissociative identity disorder from a personal perspective?

BB: It was a number of things. One of the early experiences I had as an undergraduate at the University of Michigan was working in a shelter for women who’d been battered, which is what it was called back then—not interpersonal violence like we call it now. I started hearing about trauma and remember being very interested in it. In my first semester of graduate school, I was doing a psychological testing practicum at Johns Hopkins Hospital on the kids’ unit. This was in the late 80s, so many of the kids had been abused or neglected according to their charts. I asked my supervisor how that experience might be reflected in their psych testing—how would they be different? And there we were at Hopkins, one of the premier institutions in our country, and she did not know.

To her credit, she acknowledged that and asked her supervisor, who later gave us this fascinating off-the-cuff talk about trauma and his experience with traumatized kids. It was so compelling that I decided that was what I wanted to do my master’s thesis on. I was lucky enough at the time that Frank Putnam, one of the legends in the field of dissociation, called my graduate program, asking for students who might be willing to volunteer on his project—a longitudinal study of girls who’d been sexually abused. I was incredibly lucky to be at that right place at the right time, working with a pioneer.

To be honest with you, I wasn’t sure about the whole idea of dissociative identity disorder because we didn’t see that in the lab and that was not what we were studying, even though Frank was studying it at the National Institute of Mental Health. When I later went on internship at George Washington University Hospital, a woman there said she had multiple personality disorder, with whom I had done the testing.
The treatment team was a little skeptical, but my supervisor referred me to Judy Armstrong at Sheppard Pratt Hospital in Baltimore who offered to review the data with me. After she did so, she said, “You know what; you actually might have somebody with MPD.” After that, it was just luck because I got a postdoctoral fellowship at Pratt, where they had just opened up a trauma disorders unit, and where I did my dissertation on trauma. I remained there and began working very heavily with folks with DID, and other serious, complex trauma disorders. Right place, right time, and fortunately, amazing training with amazing clinical supervisors.

DID and the Dissociative Spectrum

LR: Before I ask you what readers most likely want to know, which is, “What actually is DID,” why the transition from “multiple personality disorder” as a label to, “dissociative identity disorder?”

BB: There were a lot of reasons, but just to be very brief; by calling it multiple personality disorder, many clinicians thought it was a personality disorder like borderline personality disorder, and it’s not in that category. The experts in the field wanted to emphasize it was a trauma related disorder connected to dissociation, not a disorder of personality. The name change was an attempt to reflect that.

LR: Well, I guess relatedly—and I may get back to my initial question—does the DSM’s characterization of DID as a complex post-traumatic developmental disorder, ‘capture it?’

BB: It’s a terrific start. It’s a foundational start, because it implies that it starts in childhood, which is what developmental disorder means. The research strongly points to very early severe chronic child abuse as the cause. But we also know that there is genetic tendency towards dissociation. And often these clients who end up as individuals who develop DID also have attachment problems because they didn’t have secure attachment. There are multiple things going on, but trauma really has an early childhood foundation.

LR: In your writing, you discuss TRD or trauma related dissociation and suggest that DID is almost always related to early childhood trauma and severe disruption of the attachment relationship. Is there such a thing as a NTRD, or non-trauma related dissociation?

BB: Yes! We all dissociate to some extent, so normal non-pathological dissociation can occur. It can be going into a state of automatic pilot. For example, when we’re driving down the highway and we’re really thinking about something, and barely remember the drive when we get home. Or we’re driving down the highway and we miss our exit because we’re so preoccupied, not because of traffic, but because of our mental disconnection from what we’re doing.

It can also happen at moments of peak spiritual experiences or athletic experiences when people can disconnect from their bodies or feel out of their bodies and have this incredible experience. But none of these experiences interfere with functioning.

LR: I imagine getting lost in a book or a song or a movie or a conversation containing elements of dissociation, but on the left side, or benign side of the spectrum.

BB: Exactly. Those are called absorption, and some people are very prone to absorption. We know from research that the more somebody is prone to absorption, they may be more at risk for dissociation. There’s been some debate over whether absorption should be called dissociation or not? For now, it is understood as one of the lower levels, not-so-problematic types of dissociation, which comes from self-report measures.

LR: Is it clinically useful to think of a dissociative spectrum with absorption type experiences on the left or benign side, and DID as the most extreme and pathological form all the way to the right?

BB: Yes, I think it is. But I’ll say that with awareness that some people living with DID really resent that, because understandably, this was an adaptation to horrendous, overwhelming circumstances. And so, I completely get it and respect that they had a brilliant way of adapting and getting through what would have been just harrowing experiences. The research actually supports exactly what you said.
As I said earlier, all of us dissociate to some extent. And then when you start studying dissociation and different psychological disorders, there’s a range of scores that people have on the different, self-report questionnaires. And it starts out with people having [scores] a little bit above what might be for people who are not struggling with any emotional disorder.

And then it gets at the highest level is folks with DID. And in between, there might be people with eating disorders and maybe borderline personality disorder, because there’s often a lot of trauma in those people’s background, and then you start getting into PTSD. And then the dissociative disorders indeed are at the end with the highest levels of dissociation.

LR: I would think that someone who is engaging in non-suicidal self-injury or someone who is in the middle of an intense food or substance binge is in an acute state that requires a certain amount of dissociation to be able to inflict that level of harm on to yourself.

BB: Is there some dissociation that goes on during those moments? The answer is yes! Often people are somewhat disconnected from their bodies. An example is a client who, with DID or severe dissociation, may be cutting and not feel it and be kind of fascinated with what they’re seeing under their skin, like really extreme cutting with the detachment. And they don’t feel the pain.

LR: Is it possible that someone with DID could be cutting while there’s another element of that personality that’s watching? Am I using the right nomenclature for the other “states?”

BB: There are people in the field that are really pushing for those parts to be called dissociative self-states. In the literature, they’re alternatively called identities, personalities, parts, and alters. We’re really trying to emphasize that whatever they’re called, that they’re all parts of one person. They’re self-states. They’re not different people. That’s why we’re encouraging that name to be adopted in the next DSM.

LR: I find myself gravitating toward more questions that may be more of a popular culture artifact, but I’ve heard that different self-states can have symptoms of a particular medical illness or disease while another is asymptomatic. Is that possible in your experience?

BB: It depends on what illness you’re talking about. We know that, depending on our emotional state, our blood pressure may change, right? And Frank Putnam, who I referred to earlier, did some of the early research showing that different self-states have different EEG patterns.

Simone Reinders in the Netherlands has done a bunch of research studying neurobiological differences among some self-states. She’s tried having professional actors impersonate self-states while they were hooked up with all kinds of biological markers, including brain scans. They could not emulate different self-states.

It’s remarkable. It’s not magic. It’s a disorder that is linked to neurobiological changes and differences. And of course, these different self-states are going to include the traumatized self state, the one that remembers trauma and has all the symptoms that go with that PTSD. When they’re scanned, of course you might expect their heart rate to be much faster and for them to have more activity in their limbic system, versus a part that’s very detached and doesn’t recall that trauma. The heart rate of that self-state is not going to be as elevated. And they’re not going to have the intense amygdala activation.

LR: I can see that if someone is in a moment of active sexual abuse, sexual trauma, that it’s in the body’s interest to down-regulate the heart rate and cortical activation.

BB: Yes. There are studies about that, talking about how animals go into survival mode and, you know, like the faint mode or the feigning death mode. There are some animals that have that response of total disconnection from their bottom up to allow them to survive attack. Well, there’s some parallels with humans that have been horrendously abused repeatedly. Their brains shift into dissociation as a survival mechanism.

Their access to memory can be quite different as well. One of the diagnostic requirements is that there be amnesia for some of their life experiences, that are not due to drugs, alcohol, or head injury. Or they may not remember key autobiographical events, like their own wedding. We call that dissociative amnesia.

LR: What are some of the myths and misconceptions about DID that clinicians should know about?

BB: There are a lot, unfortunately. One is that DID is exceptionally rare. On and across different prevalence studies, at least 1% of the general population meets criteria for DID. That’s the same prevalence rate roughly as bipolar disorder and schizophrenia. So, it’s not rare, but there have been some critics.

Critics of the whole notion of dissociation and DID have been putting it out for a long time in articles that are published in journals. And that has found its way into psychology textbooks that undergrads and grad students read that put forward that myth so that unfortunately, many people, even mental health clinicians, think it’s rare. Another myth put forward by the critics is that DID folks exaggerate their symptoms or are prone to create false memories of abuse.

When you actually compare people with DID to people with PTSD to what are called healthy controls, people who don’t have any emotional problem, and professional actors who try and emulate all of this stuff, there are some studies we’ve done that show that people with DID
are no more likely than people with PTSD to develop false memories.

The important thing that most mental health clinicians have not been trained to know is that they are highly symptomatic across a bunch of different domains. They don’t just have amnesia and different dissociative self-states. They also have PTSD. And we know PTSD is a complicated disorder with 17 potential symptoms. And so, at times they’re flooded with traumatic intrusions, pictures, awful memories, awful nightmares. And then there’s periods where they’re shut down and avoid it because it’s so awful to remember and feel that stuff.

And then there can be incredible periods of irritability and sleeplessness and feeling like they’re an awful person and different from the rest of the world. There’s a lot of research showing that dissociation is very common among people with PTSD. They also have major depression and because living with all these symptoms is so brutally difficult, many of them have substance use problems.

They try to knock out the memories by drinking too much or using drugs. They often also have eating disorders because they have a very difficult time tolerating their bodies. They blame their bodies for their abuse, and so they try and get really big so that nobody’s ever attracted to them or—and they often go back and forth, or they get really anorexic and starve themselves hoping to die or to look unappealing that way.

All of that is shown in the literature. And with regard to feigning DID, one of the ways that you look for malingering is when somebody is reporting too many symptoms or reporting exceedingly severe symptoms. They are much more likely to be classified as potentially malingering on some of the evidence-based measures and interviews for malingering. I’ve developed research that helps mental health clinicians and forensic experts know how to differentiate when somebody has true DID and when somebody is attempting to simulate it.

The critics also don’t really understand complex trauma. They are typically not clinicians or academics. But because so few mental health folks are getting trained in the evidence-based information about DID, they come away with these stereotypes out of textbooks that are just wrong. They’re just flat wrong. And myths.

LR: Is there a short list of the cardinal presentations that differentiate DID from some of the other severe forms of psychopathology?

BB: Back when I was trained, I was taught that if you hear voices, you are psychotic. But more than 75% of people who have DID hear voices.

LR: Schizophrenic?!

BB: Yes, schizophrenia or maybe the psychotic phase of bipolar disorder. I would encourage therapists to not automatically assume that hearing voices means psychosis. There’s a whole bunch of research, including people who don’t have DID, experience voice hearing, and this is strongly associated with trauma exposure. There have been meta-analyses that support this, so I suggest that clinicians always ask every client, no matter the setting, if they have been exposed to trauma. So, learn how to do a good trauma assessment.

If somebody endorses having experienced trauma, then ask about PTSD symptoms and dissociative symptoms. Ask about the different types of dissociative symptoms. Ask about depersonalization. Does the person ever feel numb when they should have feeling? Does the person ever feel like their body doesn’t belong to them? Do they ever see themselves at a distance, like outside of themselves, like they’re watching a movie? Those are three common symptoms of depersonalization, and there’s a range of other symptoms they can ask about, like do you sometimes feel like you’re younger or not your own biological age. Ask about voice hearing.

LR: What’s your gut feeling about why there’s such resistance among clinicians to embrace the reality of DID?

BB: It does sound farfetched, right? But that’s because people are misunderstanding the disorder. It is impossible for people to have multiple people inside themselves. It is impossible. Right. But, Lawrence, you don’t have a little Lawrence running around in your brain, and I don’t have a little Bethany running around in my brain. How do you know you’re not me?

LR: I’ll have to check.

BB: I stump my students when I ask that question. You know who you are because you know that you have a cat and that you’ve been married and lived in Michigan, and that you like Hello Kitty, and that you like certain kinds of music and food, and you have knowledge and memory of family and life experiences. But people with DID don’t always feel like all that.

First of all, they have periods of time missing. And so, they’re confused about who they are and what’s happened in their lives. But they’re not different people inside. Now, I’m going to say that, and some of the readers who have the idea are going to object to what I just said, because some people with DID do feel like they are different people.

That is their perceived experience, but people with DID don’t literally have little people running in their heads either. Our personalities are based on the neural firing of networks in our brains. And like we were saying earlier, there’s a neurobiological pattern that is characteristic for trauma related self-states versus ones that are very detached and don’t remember the trauma.

So, I think a lot of mental health people are mistaken and don’t understand what they have heard. It’s rare and I’ve been told this so many times, “Doctor Brand, I’ve been in the field for 30 or 40 years, and I’ve never seen a DID patient.” But I guarantee you, if they’ve really seen a lot of clients, they actually have, but missed it because perhaps they’re looking for dramatic presentations like Sybil. If it was that obvious, then when people switched states, it would be easy to diagnose. But that’s what movies do to make it look right to the audiences. That is not actually what DID really looks like.

A Tiered Approach to DID Intervention

LR: What is a multi-phasic approach to intervention with DID, and why is it considered the gold standard?

BB: It means that clinicians who work with DID and other serious dissociative disorders are realizing that there needs to be three stages of treatment. When somebody comes into treatment with complex trauma, and especially if it’s very serious, there needs to be an initial stage of stabilization of their symptoms. At this early stage, they may be suicidal, self-harming, drinking and using drugs, or engaging in some other kind of addictive behavior.

They often have really high levels of hospitalization, so they need to learn other ways of regulating themselves that are safe and that they can do out of the hospital. If and when they get stabilized, they begin learning how to regulate emotions in ways that ground them, which is the opposite of dissociation.

Once they’re stable and want to go on to stage two work, we are talking about trauma processing. That’s where they may then talk about some of the trauma so that gradually they can heal from that and not have so many intrusions of nightmares and flashbacks and horrible memories or feeling numb to it.

It’s an awful thing to feel like you’re deadened inside. That would be stage two work, which can take a very long time. So can stage one, by the way. And then comes stage three. For complex trauma—and I’m not just talking DID now—but in general, the person works more on developing their life, their friendships, their career goals; they’re no longer so focused on the past and trauma, but integrating into whatever kind of life and relationships they want.

LR: Is this in line with your “Finding Solid Ground” program?

BB: Yes. The program I’ve created with colleagues called “Finding Solid Ground” is a staged stabilization approach where we help clients learn about, first of all, grounding. But it’s not just for people with DID, but also for people with complex PTSD, and what in the United States is called the dissociative subtype of PTSD.

Our research is showing it helps all these folks, not just DID, but they learn to be more present to their emotions and deal with emotions in healthier ways. They learn about how to deal with PTSD so it’s more contained and not so intrusive so they can sleep better so that they’re not having these awful images pop into their mind and interrupt their functioning all day.

We help them learn to separate past and present. When somebody has very bad PTSD, the brain cannot really distinguish the difference between a flashback and the present moment. It feels to the person it is happening now. So, we teach them how to catch their warning signs that they may start being close to being at risk for intrusions of PTSD, that they might start dissociating, that they might start drifting towards self-harm, and then find ways to get out of that cycle. Among other things, we teach them a little bit about the neurobiology of trauma and that it’s not their fault.

LR: Is integration of self-states the absolute end goal for treatment?

BB: When I first accepted that postdoc at Sheppard Pratt in 1993, the emphasis in the field was integration of personality states. And yet that’s not what I was hearing and seeing was happening very often. I was the leader of a study where we asked experts around the world how many patients had they integrated in their careers. It was small numbers.

That may not sound like a jolt of lightning to readers, but it did lead us to rethink whether that was very achievable for most patients or not?

At the same time, many people living with DID do not want to integrate their parts because they have lived often for decades with these parts. And that helps them function from their perspective. That is who they are. They value their parts, or eventually you hope that therapy can help them learn to respect and value their parts rather than be at war. Some of the self-harm and suicide attempts are about one part trying to kill off another. At the time, they don’t recognize they will all die if they commit suicide. So now I have a different perspective and I think there are different options. I think clients should have the right to choose what they want their endpoint to be.

And that may change over treatment. In the beginning, some clients absolutely say get rid of these parts, but they don’t understand. They can’t. I use the metaphor that you can’t live by cutting out your heart or your liver. And it’s the same thing with self-states. You have survived because of the self-state. You can’t get rid of one. You can learn to work as a coherent collaborative group like a business or a healthy family rather than being at war.

DID and the Family Connection

LR: Are there useful systemic interventions that involve family, spouses, children?

BB: Of course, as a therapist, I’m teaching them, but I don’t want their spouse or partner to be doing therapeutic things. Right! But it gets really messy. If they have children who see them switch, and mom or dad doesn’t seem to remember things they’ve said or done, I find ways to explain DID to the kids in an age-appropriate way.

It is incredibly important that they’re not switching a lot in front of their children. Parents should be consistent no matter what, no matter who they are, whether they have DID, bipolar disorder, or PTSD. Children need consistency. So I would work with a client to help them develop the parenting parts and having them learn to look similarly and act similarly with the kids, so they’re not confusing the kids.

LR: In this context, can a person with DID voluntarily call on another self-state, rather than it “taking over” during a time of crisis or trauma-related moment?

BB: Yes. So that might be something that we’d work on, to go back to that last example, when they’re around their children. You would want them to work towards having parts that can be very supportive, caring, loving, consistent parents. And the parts that are little, that feel as if they are young children, terrorized, traumatized themselves, would be in the back of the mind.

All this is metaphor, however, right? There are no little people, right? But metaphorically, those self-states are taken care of internally so that they are consistent. Same thing with work, same thing when they’re driving.

LR: You said earlier, Bethany, that invariably, dissociative states and DID in particular are born out of severe trauma in childhood and attachment disruptions. At what point might a clinician begin to suspect dissociative identity disorder in childhood?

BB: Really good question. Some of the same symptoms that later develop and become more severe in adulthood can be seen in little children with the beginning stages of a dissociative disorder. One thing I haven’t mentioned is that adults with DID can go into trance states where they’re not responsive to the outer world.

Little kids start showing attention and zoning out. They’re often misdiagnosed as having ADHD. So again, we need all clinicians to be trauma-informed and trained. Not that they’re expecting to see a dissociative kid, but they might, especially if they have symptoms of PTSD like nightmares and flashbacks, or report having imaginary friends. Some talk about that for a second.

Developmentally, it’s normal for children to have imaginary friends. But if imaginary friends start to be frightening, or upsetting, or tell the child to hurt their sibling or a pet, or to destroy their toys, that’s not a “normal” kind of scenario. Little kids usually stop talking about imaginary friends around age seven. But people with DID report that they never went away. Those actually linger as parts of their dissociative self-states.

Keyword, Avoidance!

LR: There are clinicians who believe that if we look hard enough for trauma, we will find it. Is it similar for dissociation and DID?

BB: It might be! During medical training, students commonly think they have all the different disorders. The same thing may be happening in our field. For 26 years, I taught a course on differential diagnosis and interviewing. At the beginning of the class, I warned the students that they were going to be tempted to diagnose themselves along with everybody they loved or hated. It is a normal phase of learning the DSM but I asked them to be respectful and stick to the diagnostic criteria, so they don’t go telling people they’ve got borderline personality disorder.

There is a normal stage of training in which, at least for a while, we may overuse certain concepts as we’re learning them. But again, if clinicians are well-trained in differential diagnosis they will be less likely to overdiagnose certain symptoms and disorders—in this case, dissociation and DID. This is one of my research streams.

There is a lot of research out there, and I’ve written a book about how to assess dissociation and how to distinguish it from other symptoms and disorders. Here is where training is critical. The ways you treat schizophrenia and bipolar disorder are very different from the way you treat DID. Schizophrenia and bipolar are the two disorders that people with DID are most often misdiagnosed with.

People with DID don’t need mood stabilizers or heavy-duty antipsychotics. Instead, you do a trauma-informed stabilization approach. Two of my earliest DID clients were misdiagnosed with schizophrenia and treated accordingly for years. One passed away and gave me permission to share her story. By the time I saw her, she had horrible tardive dyskinesia. She had been disfigured by the treatment for schizophrenia that she didn’t have. Once we started working together, she got a lot better— not cured, but a lot better, and she was much more functional. She had dropped out of school and midway through high school, she went back and became a minister in her community.

LR: What do you see as the core elements of training that need to be incorporated into graduate programs so that DID can be correctly identified, and interventions designed?

BB: Only 8% of APA-approved doctoral programs require a course in trauma. That’s gotta change. Information about trauma should be a required part of graduate training in psychology, social work, and related fields. As part of that training, they also need to learn about dissociation and the range of dissociative disorders, and how you assess for dissociative disorders, and how you do differential diagnosis. And, of course, something about evidence-supported treatment. There’s only one program so far based on randomized controlled trial data that shows it helps people with profound dissociative disorders. But they should hear about that. That should be in the textbooks.

LR: What do you think is contributing to that incredible avoidance by the APA of mandating graduate-level trauma training at graduate level?

BB: A group of us have been pushing for different guidelines about working with complex trauma that finally got approved by the APA this last summer. But there is pushback. And a lot of us think there’s a political issue. Let’s just think about what PTSD means. The required criteria center around avoidance. You nailed it there!

Even people who’ve been traumatized don’t want to think about it. It’s human nature not to want to know, think, and talk about trauma. Believe me, it’s a hard part of my job. I do it, and of course I know how to do it. But hearing the stories of what has happened to little children is incredibly difficult.
And there’s some real doubters out there when it comes to thinking about child abuse. Maybe they should read a little bit about child pornography and child trafficking and how rampant they are, because we’ve got plenty of evidence that that happens. Some individuals report that part of their abuse was being the victims of child pornographers.

So, I think we don’t want to think about that stuff!

LR: Avoidance on a large scale.

BB: Avoidance. You nailed that.

LR: Not to get sidetracked, but I wonder if this is what Bessel van der Kolk experienced when he tried to get his developmental trauma disorder approved by APA.

BB: I’m sure that’s some of it, but not-unshockingly, it likely goes back to financial issues.

LR: It’s hard to imagine.

BB: At this point, the National Institute of Mental Health has never once funded a study of the treatment of DID. So, I have literally had to get donations to fund my studies. Do you think cancer researchers do that? Do you think researchers of any other disorder must have bake sales and pass the plate at college?
Where is the money in trauma right now? It’s in the Veterans Administration. I’ve heard this from various people who work there. They do not recognize DID, and they don’t want anybody in the VA system being diagnosed with DID, because that’s a real problem for our military, right? Everybody there has a dissociative disorder. Although believe me, I have assessed people in that system and helped them get honorary discharge. Anyway, there’s a huge amount of funding that goes to VA research and they emphasize working with adults. They want to keep the soldiers “strong” and ready to go or whatever the branches to ready to fight. Yeah. The childhood trauma.

LR: It’s hard not to introduce politics into conversations at this level. But do you have any concerns about funding for dissociative and other disorders as the incoming administration takes form?

BB: I do, and I think many, many researchers are very concerned about funding for new science research in general. But then when you get into groups like research on women, research on children, research on traumatized people, research on any kind of minorities, but especially LGBTQ groups, people are very worried. My funding has always been a problem. But I do have many generous donors.

Wrapping Up

LR: There’s so many big sales you can have, and winter is coming.

BB: So, we’ll have some hot chocolate sales and some coffee. Yes, there is a group called the International Society for the Study of Trauma and Dissociation (ISSTD). They do lots of multi-level, face-to-face and online training for dissociation and children, adolescents, and adults. They also supported RCT studies for our Finding Solid Ground program.

I’m strongly urging clinicians to learn about that program. We’ve got two books out there. One for people living with the disorder, and one for therapists. Our research shows that the Finding Solid Ground program works best when the therapist knows the program and the clients working with the therapist who knows the program.

LR: Has counter transference entered into your work with any particular client?

BB: For anybody working with complex trauma, there is going to be countertransference and traumatic countertransference. And the client will experience transference. There’ve been times I felt like I wanted to rescue somebody because they’ve had such a hard life. But you’ve got to keep the boundaries strong. I consult with a lot of therapists. One of the mistakes I hear from therapists is they do try and rescue, or they go too far. It’s not uncommon that therapists will see a DID client for free and become very burned out. I don’t ever advise that.

The psychotherapy research shows that people benefit from treatment more if they’re paying something. It’s also common for therapists to alternate between feeling helpless, like the child was back during trauma time, and at other times harsh and mean which the client may experience as harsh and mean, almost like the perpetrator or a non-protective bystander. Those three roles are extremely common in the treatment, so I teach a therapists to watch for that, to work on that, and to make that understood.

Something they actually talk about with their clients so neither get stuck in those spaces and can learn from it. It’s part of the healing, rather than becoming the point where the treatment comes off the rails.

LR: I think that we could talk for hours, Bethany. It’s been a fascinating conversation for me as I hope it was for you. Is there anything I’ve left out?

BB: Yes. There are people out there who have died because of this disorder, but there is hope, even despite the tremendous suffering. It’s important that these people know that they are not alone, and neither are their therapists. It’s important that therapists convey that they’re not alone, it’s not their fault, and that they are not weak or dumb. They don’t have to suffer endlessly, and neither do therapists need to feel powerless. There’s hope.

LR: I think the clinical world is a smarter place for your presence in it. Thank you, Bethany.

BB: Thank you!

When to Use Unexpected Techniques with Emotionally Overwhelmed Adults

“Name it to tame it” has become a popular phrase among parents and those working with children. It denotes the principle that we can help emotionally overwhelmed children feel better by helping them put their feelings into words. Daniel Siegel provides an example of this principle. Bella, a nine-year-old girl, watched the toilet overflow after flushing it, “and the experience of watching the water rise and pour onto the floor left her unwilling (and practically unable) to flush the toilet afterward.” Her father later sat down with her and encouraged her to tell the story, allowing “her to tell as much of the story as she could,” and helping her “to fill in the details, including the lingering fear she had felt about flushing since that experience. After recalling the story several times, Bella’s tears lessened and eventually went away.” Putting these experiences into words, Siegel writes, “allows us to understand ourselves and our world by using both our left and right hemispheres together. To tell a story that makes sense, the left brain must put things in order, using words and logic. The right brain contributes to bodily sensations, raw emotions, and personal memories, so we can see the whole picture and communicate our experience.”

Putting Theory into Action in Therapy

I repeatedly experienced the power of this principle during the six years I worked with children in an elementary school. After I transitioned to working with adults, I would sometimes forget the principle. I can remember a session with Mary, a 55-year-old woman who could not bring herself to leave Harlan, her emotionally abusive husband of 30 years. She had entered therapy to find the resolve to leave, something her friends and even her grown children had long encouraged her to do. I spent the better part of the session encouraging Mary to give voice to that part of her that wanted change. She followed my lead and asserted her rights and needs. After speaking with passion for several minutes, she suddenly stopped talking and looked off into space. “I know everyone thinks I should leave Harlan, and I know their hearts are in the right place.” Her eyes fell to the ground, all the energy that had animated her just moments before now gone. “We were basically kids when we got together. We grew up together. There’s something about Harlan and me that others just don’t understand. There’s something that I just can’t put into words.” There was a heaviness to her words. She seemed to be saying, ‘Yes, on paper there are good reasons for leaving him, but these other reasons possess a power that ensures that things can never change.’ I had given Mary the space to share her story, but she was now telling me that part of her story could not be shared. She was suggesting that this part of her story, perhaps because of its ineffability, exerted a hold over her from which she could not escape. Consequently, she felt she could not move toward the goal that had motivated her to start therapy. As the session ended, her despair seemed contagious, and I too felt that she would never be able to articulate that part of her story. I thought about our session over the next week and couldn’t avoid feeling that I had failed her. Yes, I had empathized with her, and I think she felt that, but I had failed to give her hope. I shared my feelings with my own therapist, and she said something that reminded me of another popular principle among parents, one often described as, “the power of yet.” I hadn’t helped Mary put words to her feelings —yet! She and I would again talk about Harlan, and she would again say that there was something about their relationship that others didn’t understand, something she just couldn’t put into words. I would add that simple, powerful word. “There’s something you can’t put into words—yet.” Not unlike a parent, my job as a therapist is to sometimes help others find words for their experiences. Helping them find their words is not the answer to every problem, and indeed words cannot fully and adequately describe the depth of many important experiences. Yet. Helping clients put words to their most difficult experiences can be profoundly helpful. Mary could not describe a crucial part of her relationship with Harlan—yet. My work was to help her find those words. I thought back to my clinical supervisor’s statement that, when his clients struggled to describe their inner experience, he would ask if an image or even a color came to mind. The goal was not for them to provide a precise, granular description of their feelings at first, but to try to take steps in that direction, little by little, one word at a time. I now had hope, and I knew I would be able to share my hope with Mary. It might take time to get there, but with my encouragement, she would vocalize that aspect of her relationship that had never before been vocalized. And when she did so, she would feel less isolated and more empowered. I did not know what she would feel empowered to do, and neither did she. Yet. Questions for Thought and Discussion In what ways does the author’s message resonate with you? Not resonate with you? Based on the readings, do you agree that the author initially “failed” with Mary? How might you have addressed Mary’s decision to remain with Harlan?

What Happens Now? Reporting Childhood Sexual Abuse

Isabella’s stomach is tight as she squirms in her chair. She is wringing her sweaty hands and can feel a lump in her throat. She is scared. Isabella swallows hard and then begins to disclose to her school counselor that her stepfather is sexually abusing her.  

Childhood Sexual Abuse

Sadly, Isabella is one of many children and adolescents being sexually abused around the world. Childhood sexual abuse (CSA) is a global social epidemic that is overwhelming for all who are connected to it.

The Centers for Disease Control (CDC) estimates that 1 in 4 girls and 1 in 13 boys in the United States will experience child sexual abuse before their 18th birthday. Ninety percent of this occurs at the hands of someone known and trusted by the child or the child’s family. We will follow Isabella’s journey as she moves through the multidisciplinary systems she encounters following her disclosure, which I hope will be helpful to fellow clinicians working with sexually abused children.

The Children’s Advocacy Center

Isabella’s school counselor reports the sexual abuse to the child abuse reporting hotline. This sets the wheels in motion for Child Protective Services (CPS) and law enforcement to intervene. Isabella’s mother is wrought with fear and anxiety when she receives a call from a detective. She was instructed to bring Isabella to the local Children’s Advocacy Center (CAC). As she drives to pick up Isabella from school, she experiences a surreal sense of shock and numbness.  

Back in the day, many years ago, disclosures of childhood sexual abuse were met with fragmented investigative responses with children like Isabella participating in multiple interviews. Not only was this potentially traumatizing for the child, but it also resulted in inconsistent findings for various disciplines and poor outcomes for our youth and families. This changed in 1985 with the formation of the first Children’s Advocacy Center (CAC) in Huntsville, Alabama. Uniting law enforcement, criminal justice, child protective services, medical, and mental health services under one roof, the CAC movement revolutionized our response to sexual abuse allegations. Today, the CAC approach is the best practice for multidisciplinary professionals battling child abuse and neglect. The force monitoring and accrediting our CACs is the National Children’s Alliance (NCA) which oversees nearly 1,000 CACs.

Advocacy and Case Management

Upon entering the CAC, Isabella and her mother are greeted by Jordan and Rose. Jordan is a family advocate and case manager for the agency. Rose is a child engagement advocate. Jordan explains that she will be helping Isabella and her family during their time at the CAC and beyond. Rose explains that, as a child engagement advocate, she will be helping prepare and alleviate as many stressors as possible for Isabella today. Despite Jordan and Rose’s friendly demeanor, Isabella is cautious, and her stomach remains just as tight as it was when she disclosed to her counselor.

Isabella and her mother follow Jordan and Rose down the hallway into a clean, tidy room with a couch and toys. Rose notices Isabella’s anxiety and offers some fidgets, coloring sheets, and a snack. Rose showed her a book with pictures and names of the people she will be meeting today and explained the jobs they do at the CAC. Isabella begins to relax.   

As previously noted, most perpetrators of child sexual abuse are known to their victims. The CDC estimates the 90% of sex offenders are known to their victims and their victim’s family. In some instances, the perpetrator lives in the home or is the breadwinner for the family. As a result, the aftermath of a disclosure of CSA can leave a family with another crisis. The CAC’s family advocacy team helps to support the non-offending family members as well as the victim. Family advocates are the first to greet victims and their families, and are a consistent presence. They provide advocacy within the multidisciplinary team (MDT), emotional support as victims proceeds through the judicial system, information about client’s case, and assistance with tangible needs such as bills, clothing, food, housing, transportation and other aspects of daily living.

Research shows children fare better throughout the investigative process when they know what to expect. Child engagement advocates attempt to decrease traumatization and alleviate stressors victims may experience while at the CAC through preparing them for what they will be experiencing, using play, and trauma-informed care.  

Forensic Interview

While Rose was playing with Isabella, Jordan brought her mom back into the room. After a bit, another lady came into the room and Jordan introduced her colleague, Abby. Rose had shown her a picture of Abby in the book earlier and told her she was a forensic interviewer. Earlier, Rose had explained that “forensic interviewer” was a name for someone who was going to ask Isabella some questions. Abby smiled as she greeted them and asked Isabella to come to the “talking room.”

Isabella felt the knot return to her stomach as she looked first at Rose and then at her mom. She stood and gave her mom a hug before following Abby to the “talking room.” Once in the room, Isabella looked around. There were not any toys in this room. Abby started out by asking Isabella a lot of questions about herself. Isabella’s knot got a little looser as it wasn’t hard or scary to spell her name and talk about her pets. Abby explained to Isabella that only “true” things that happened can be talked about in the talking room. Isabella told Abby about what happened with her stepdad. Abby asked a lot of questions with a lot of details. Isabella felt anxious but she remembered her breaths that Rose taught her. Abby let her take breaks when she needed them. Abby had Isabella draw on a diagram of her body where her stepdad touched her. When they were done in the “talking room,” Isabella went back to the original room where her mom, Jordan, and Rose were waiting.  

Forensic interviews (FIs) of children and adolescents provide key evidence to guide investigations and support decisions regarding whether to pursue criminal prosecutions or continue interventions by child protection. Forensic interviews (FIs) may be requested by law enforcement and child protection. Occasionally, the District Attorney’s Office may request an FI. Typically, the FI is scheduled as close to the disclosure as possible. These interviews are done blindly, meaning the highly trained forensic interviewer does not know the details of why the victim has been brought to the CAC. FIs are legally justifiable, fact-finding interviews with a child conducted by specially trained forensic interviewer.  

In cases of childhood maltreatment, the overarching goal of a forensic interview is to gather information from a child in a neutral, non-leading way. The purpose of a forensic interview is to minimize the number of times a child must tell their story. Forensic interviewers provide an opportunity for a child to disclose abuse. If abuse is disclosed, the interview is used to gather details about their victimization. CPS and law enforcement observe the interviews to assist in their investigations.

Interviews are recorded to minimize the number of times a victim must detail their trauma and to increase the accuracy of the information provided. The FI is viewed in another room by law enforcement and child protection. Caregivers are not allowed to observe their child’s interview. Although the video recording itself does not substitute for a victim’s testimony in a court of law, it is utilized by the multidisciplinary team as part of the investigation and must meet certain legal criteria. A forensic interviewer is not responsible for proving or disproving an allegation.

Child Protective Services

After the forensic interview, Isabella returns to the room where her mother, Rose, and Jordan are waiting. Her mother has paperwork in her hands and is busy reading and signing forms. Jordan explains the next steps of the process and provides resources that might be helpful for Isabella and her mother. She tells them that an investigator with Child Protective Services (CPS) will be coming to speak with them shortly. Isabella wonders if the CPS worker was one of the people who was watching during her forensic interview. 

CPS is responsible for identifying and intervening in cases of childhood abuse or neglect. The overall purpose is to ensure child safety. During the investigative stage, interviews are conducted, pertinent records are reviewed, and a home visit is conducted. As in Isabella’s case, the CPS investigator was present at the CAC during the forensic interview and has information on what Isabella has experienced.

Based on the totality of the investigative information, Child Protective Services makes decisions regarding whether a child may remain in their home or not. In Isabella’s case, the mother is protective. She decided to stay at the home of relatives until the stepfather is out of the home or other housing is obtained. Given that the protective concerns are addressed, the CPS case is closed. This is not always the case.

Some family systems require ongoing services from CPS. For example, if the non-offending caregiver does not believe a child’s disclosure and is not willing or able to protect the child from the alleged offender, CPS may stay involved with the family. They may need to have a child, and their siblings, temporarily placed outside of their home with a relative or a foster home. Given the mandate to preserve families, CPS would have the family members participate in a case plan that will support the eventual reunification of the child with their caregiver. Case plans may include therapy and substance abuse treatment. Each state has their own child protection agency and services may vary from jurisdiction to jurisdiction.  

Law Enforcement

As the CPS worker finished the last few questions, a man wearing a suit and tie entered the room. As he gets closer, Isabella realizes he also has a badge and a holster. The man introduces himself and explains that he is a detective with the local police department. He also observed the forensic interview and believes there is enough details to pursue filing a criminal complaint against the stepfather. The detective meets with Isabella’s mom. 

Not every disclosure of CSA is investigated by law enforcement. This can occur for a variety of reasons. For example, due to the inherent pressure in cases of CSA, a child may recant their original disclosure and state abuse did not occur. Another example would be instances when the victim was unable to provide specific details or was unable to recall dates.

In cases involving law enforcement, an investigation will ensue to determine if the CSA can be charged criminally. Some investigations are closed due to lack of evidence. If the law enforcement officer believes there is enough evidence to hold the offender criminally culpable, the case will be passed on to the district attorney’s office for consideration for prosecution.  

Mental Health Treatment/Therapy

Approximately two weeks later, Isabella’s mother received a phone call from the Client Intake Specialist (CIS) Cheyenne. Cheyenne is from the Clinical Department at the CAC. She let Isabella’s mother know that she received a therapy referral for Isabella from Jordan and wanted to know if mother was interested in services for Isabella. Isabella’s mother expressed interest in services. CIS explored times that would work both for mother and Isabella, as well as assigned a therapist named Jackie. Following the initial intake, Isabella receives ongoing therapy to process and integrate her history of CSA. 

Different forms of therapy can be utilized with Isabella post trauma including, Dialectical Behavioral Therapy (DBT), Eye Movement Desensitization and Reprocessing (EMDR), Play Therapy, and Trauma-Focused Cognitive Behavioral Therapy (TF-CBT). Therapists may incorporate expressive media including play, sandtray, kinesthetic movement, and expressive arts (i.e., art, music, dance) into treatment.

The intake session allows the therapist an opportunity to gather psychosocial information to ensure the client receives the best therapeutic services available. Depending on availability and resources, the CAC may also offer services to non-offending family members. In some cases, referrals are made to trauma-informed providers outside of the CAC.   

Moving Forward/Conclusion

 Isabella completes therapy, and, for the most part, her functioning appears to be developmentally on track. Intermittently, she experiences episodes of posttraumatic distress and receives booster therapy sessions as needed. Isabella testified in the criminal trial against her stepfather. This adds another layer of complexity to her therapy and to her family.

The short- and long-term impact of childhood sexual abuse is well established. Timely and comprehensive interventions are essential to protect children and strengthen families. This includes the multidisciplinary work covered in this article. Cases of CSA are multilayered and complex. The investigatory and therapeutic process may not be as streamlined as it was for Isabella. It is crucial members of the MDT operate in their scope of practice. Additionally, support from the non-offending caregiver and society at large is crucial for the overall welfare of victims.

Michelle Jurkiewicz on Gender-Affirming Psychotherapy with Children, Teens and Families

Lawrence Rubin: Thanks so much for joining me today, Michelle. You are a psychotherapist in private practice in Berkeley, where, among other things, you specialize in gender-affirming mental healthcare for children, teens, and their families. Did I get that right? 
Michelle Jurkiewicz: Yes, you did.
LR:
we have the gender affirmative model, and then we have gender-affirming care
What exactly is your gender-affirming model as applied to clinical work with kids and teenagers? What does that mean?
MJ: We have the gender affirmative model, and then we have gender-affirming care. The gender affirmative model is a way of thinking about and understanding gender diversity, which applies to everyone. It’s based on the premise that gender diversity is a normal and healthy human variation, that people have the right to live in the gender that feels most true to them, without criticism and discrimination. And it’s also based on the idea that there’s not a preferred outcome in terms of a young person’s gender, whether that’s transgender or cisgender. There’s not one that’s preferred.

Gender-affirming Mental Health Care with Children and Teens

LR: And you said that’s different than gender-affirming care.
MJ: Gender-affirming care is informed by the gender affirmative model. When we talk about gender-affirming care, especially when you hear about it in the media, it’s often referring to medical care. But gender-affirming care often takes place amongst an interdisciplinary team.

So, if you’re talking about puberty blockers and gender-affirming hormone treatment, then that is something that even as a psychotherapist, you would be working in conjunction with an endocrinologist or pediatrician, likely a social worker. There are various members of the team.

The main way the gender affirmative model works with children and teens is the way that the therapists themselves are holding the space for a child to be able to explore who they are and be who they are, as well as increase what we call gender literacy. In the most basic sense, gender literacy is increasing an understanding of the sociocultural norms of gender roles and stereotypes, and what potential consequences there are if you step outside of those boxes.

We want children to be able to be themselves and explore who they are while also—in age-appropriate ways—making sure that they understand the world that they live in and that not everyone necessarily understands gender diversity.   

LR:
the main way the gender affirmative model works with children and teens is the way that the therapists themselves are holding the space for a child to be able to explore who they are
What is your particular role in that network of professionals that converge in working with a kid or a family around gender and gender transition?
MJ: There’s not as much need to be in contact with young children before puberty unless there’s something else going on. Then, of course, like any child, we would be in touch with pediatricians and other relevant professionals.

But when a child enters puberty, and there is the question or desire for puberty blockers or later for gender-affirming hormone treatment, the gender centers require an assessment from a mental health provider, which they take into consideration. It’s one piece of the whole picture of whether this is the right thing for the child. The psychotherapist’s job in those instances is to share your thoughts about whether, in your professional opinion, that is the best next step for this child and family.   

LR: So, they will take your input, based on your observation and your work with the child and family, into consideration before the team decides, although I imagine it’s ultimately—hierarchically—it is the physician who makes the decision.
MJ: Well, the parents ultimately, but yes.
LR: Is this evaluative process with pre-pubertal clients what you refer to as your holistic evaluation?
MJ: We typically think of the holistic evaluation even prior to that. But in terms of specifically with pubertal kids who are seeking gender-affirming medical care, we’re referring to taking everything that we possibly can into consideration. And that means that we work very closely with parents as well.

So, we’re looking at all aspects of their history. We’re looking at how parents feel about it because it’s important that if this goes forward, we have the parents’ full support.   

LR: While we’ll chat about the family a bit later, I would imagine at this juncture that dealing with parental ambivalence would be an important part of that holistic evaluation.
MJ: I think oftentimes, parental ambivalence is addressed and worked with even prior to this evaluation. 
LR:
the gender affirmative model does not advocate for specific psychological testing
I would hope so. For those psychometrically driven clinicians out there, are there specific inventories or questionnaires, psychological tests, so to speak, that would be part of an evaluation?
MJ: The gender affirmative model does not advocate for specific psychological testing. Prior to the gender affirmative model, the child had to undergo a whole battery of psychological tests. We don’t do that anymore.

There are various screeners and batteries, and things like that that some clinicians use to help them get a child’s gender into focus. I personally am not using those so much because I feel like I’m well-trained and I have a lot of experience, and that, through my conversations with children and their families, I get a very good picture and don't need those batteries.

I will say, though, that I am an advocate for more research in that area. I think there are some people that are working on a more standardized evaluation process, of course. But I have not found that useful in my own work.   

LR: I guess when you’re talking about gender-affirming care, you are already outside of standardized notions. You’re already considering not just the psychological makeup of the child, but the whole ecosystem. To then try to empower some instruments to carry the burden of decision making almost seems antithetical. 
MJ: I agree. I think the tension is around insurance companies.
LR: And then there’s the issue of liability. If the clinician is going to be called into court, psychometrics may be desired, or even demanded. In the course of your typical evaluation, what are you looking for historically, developmentally, in a teenager? In other words, what are some of the markers you are looking for that give you a sense that this child has always been on this path?
MJ: That’s a good question because I think what we’re seeing is shifting, and it used to be that the kids that we were working with came out when they were very tiny, and they maintained that identity until puberty, and then they accessed gender-affirming medical care.

I think now we’re seeing more and more kids come out later, in which case, when we’re looking at their history, we’re not necessarily looking for stereotypes, such as they played with stereotypical toys of the other gender, or they wore clothes of the other gender—although we do gather that information, but it’s not a required piece of their history.

If we’re going to introduce gender-affirming medical care, we’re looking for some sort of sense that this has been a consistent and persistent identity, especially once we’re talking about gender-affirming hormones. Because puberty blockers have not been shown to have long term adverse effects once they’re stopped, that could happen potentially more quickly if a child is in a lot of distress and puberty is right then and there. But that doesn’t mean then that that child would necessarily go on to gender-affirming hormones.

We are looking for some sort of consistency in their identities. We’re developing this pathway in conjunction with medical providers, which requires that the child is, at the same time, learning about the risks and benefits in a developmentally appropriate way. In some ways this is asking them to take on something we don’t typically ask of cisgender kids in terms of their medical care, but it does mean that a lot of times these kids know a lot.   

LR:
if we’re going to introduce gender-affirming medical care, we’re looking for some sort of sense that this has been a consistent and persistent identity, especially once we’re talking about gender-affirming hormones
They’re informed.
MJ: They’re very informed, and that’s a necessary piece of the process.
LR: Why does WPATH (World Professional Association for Transgender Health) recommend that while evaluating these kids, you look for, if not rule out, autism spectrum disorder? What's the link that they think must be examined there?
MJ: If a child is on the spectrum, it does not disqualify them from gender-affirming care. However, what WPATH is addressing, and what I’ve seen in my own practice, is that there is a huge correlation between gender diversity and being on the autism spectrum. The most recent statistic I’ve heard is that about 10 to 12% of gender diverse children are also on the spectrum. That’s huge compared to the regular population of kids.
LR: As a clinician, and perhaps intuitively, what do you think the connection is?
MJ: I don’t know, but my best guess, and the way I think about it as of this moment, is that a necessary piece of being diagnosed on the spectrum has to do with social differences, the way that one reads cues, the way that one responds to others and interacts with others. And so, I wonder if children who are on the spectrum feel less inhibited by social norms around gender, so they have naturally more freed up space to take it up. 
LR: Do you have to sort of screen for, if not rule it out before proceeding with transitioning?
MJ: We don’t inhibit a child from proceeding because they’re on the spectrum. But what we do need to be screening for is the hyper-focusing and rigidity that often accompanies spectrum-related behavior. We need to make sure that that’s not what’s going on with gender.
LR:
here is a huge correlation between gender diversity and being on the autism spectrum
Are there any myths you’ve come across about these gender diverse kids who are searching—and is ‘searching” a good enough word? 
MJ: Gender exploring! I think that there are many myths, and one of the ones that comes to my mind immediately is the idea that kids can’t know their gender if they’re gender diverse. They’re likely to change their minds later, so we should not really be listening too much to what they’re saying. We have to wait a while. I think that’s a big myth.

I think another myth, which is part of our bigger culture, and we all hold it and have to work on it, is that being transgender or gender diverse in some way is less ideal than being cisgender. And that’s a big shift in thinking. That’s something that I am monitoring within myself. Oh, and then there’s the myths of the gender affirmative model, that it’s just a fad or a kid might say they’re transgender because they're trying to fit in with peers, or that being a gender-affirming therapist means that if a kid says they’re transgender, the therapist is going to immediately write a letter and say yes, puberty blockers. Yes, hormones. In reality, these are decisions that are very carefully sorted through and that take time.   

LR:
another myth, which is part of our bigger culture, and we all hold it and have to work on it, is that being transgender or gender diverse in some way is less ideal than being cisgender
Is that second myth related to what you refer to as quieting the gender noise in the clinician’s head?
MJ: We all have a gender. We all grew up with expectations. We all hold biases about gender. And that’s what we think of as gender noise. Gender noise, the myth that I was talking about, was the myth that somehow being cisgender was preferred or more ideal, and that’s just been stated as fact, basically, for as long as we’ve known in Western culture. That’s a more difficult one for some people to really shift around. And even when we shift around it, I think if we’re really not paying attention, it can be easy to slip out of that. This is especially so if I’m not monitoring my countertransference, monitoring my own biases about gender.
LR: Makes me think that gender noise is on one end of the spectrum of therapists’ presence with these kids, and severe unchecked countertransference is all the way at the other end, and there are so many points in between where that noise can impact the therapeutic relationship.
MJ: I want to make one more point about gender noise based on something I’ve noticed in my practice with cisgender people. I’ve had several cisgender male clients who have expressed a lot of stress and even angst around masculinity with questions like, “Am I measuring up?” or “Am I too masculine?” Does that mean they’re aggressive? Just trying to sort out for themselves what it means to be a man and what is okay and not okay. And I would say even that is gender noise.
LR: What is that male bashing concept typically attributed to the dangerousness of hypermasculinity? 
MJ: Oh, toxic masculinity?
LR: Is that what you refer to when you say a cisgender male might come in worrying that they’re just a little too beefed up emotionally? 
MJ: Some of them worry if they’re even doing masculinity correctly. Like, are they masculine enough? There’s such mixed messages out there right now and I don’t know that historically, I have had so many male clients talking about these issues as I have in the last couple of years.
LR:
we all have a gender. We all grew up with expectations. We all hold biases about gender. And that’s what we think of as gender noise
I wonder if the males who come in worrying about their masculinity is more of a function of their education level, their intelligence, their sensitivity, and if they are sensitive to ‘am I being too masculine,’ then that sort of answers its own question.
MJ: Exactly, exactly. And I think the Me Too Movement, along with toxic masculinity, has brought these topics to the forefront.
LR: Not to mention the politicization, but we’ll save that for another conversation. How does gender stress differ from gender dysphoria? 
MJ: It’s a good question. When I think about gender dysphoria, in the most basic sense, it’s the distress that someone feels when their gender identity does not match the gender designated to them at birth. And gender dysphoria, often, but not always, can show up around their body, like, not wanting certain body parts they have, or wishing they had body parts they don’t have. Feeling like their face, or their bone structure, or body shape, or genitals are wrong. The distress is very internal.

You don’t have to be gender dysphoric to experience gender stress. You could feel very comfortable with your gender identity and your body and all of that, but on a regular basis, encounter situations based on your gender that cause stress. For example, if you’re a trans girl, and have to choose between men’s or women’s bathroom, the very process of going to the bathroom can become stressful. That would be gender stress even if you’re okay with who you are, and your body, and everything.  

LR:
when I think about gender dysphoria, in the most basic sense, it’s the distress that someone feels when their gender identity does not match the gender designated to them at birth
How have the gender issues that have been presented in your practice changed over the last 20 years?
MJ: They’ve changed quite a bit! Early on, most of the children that were brought to me around gender were assigned, or designated male at birth and were wanting long hair and to wear dresses and play with dolls, and they were saying that they were girls. Their parents wouldn’t really know what to do at that time. They would have questions like, “Is it bad to let my little boy wear a dress or play with dolls?” or “Do we affirm that and say it’s fine,” or “Do we change pronouns or a name?”

These were little kids that usually ranged in age from 3 to 6. But sometimes they were older, but almost always they were quite young. Early on in this work, I didn’t really ever have a parent bring a child who was designated female at birth when they were little. The way I understood this was that the girl box, so to speak, is a lot bigger than the boy box. It was, and maybe still is okay for little girls to cut their hair short and play with the boys and be good at sports. But it was not seen as okay for a little boy to wear a dress.

Over time, this has shifted. And as I touched on a little bit earlier, while we still see those young kids, they’re not coming to our offices as frequently. I think because parents have more awareness out there and perhaps parents aren’t as worried when the kids are little and they’re going to kind of see what happens and support their kid in the meantime. Parents might only bring their kids into therapy when that kid is nearing puberty and they’re starting to sense stress in the child about a changing body.

The other difference that we’re seeing is that kids come out later. I have many families that bring a teenager to me who has come out as transgender, post puberty. We never used to see that, and now we’re seeing it more and more. I see that pretty equally among “designated male” at birth or “designated female” at birth. But when we start to talk about who is showing up for medical treatment, there is a greater number of designated female teens showing up for hormones than there are designated male teens.    

LR:
parents might only bring their kids into therapy when that kid is nearing puberty and they’re starting to sense stress in the child about a changing body
Before we shift gears, is there anything else I should ask about the kids?
MJ: Not so much specific questions, but I guess what I would say about the kids themselves is that some of these kids absolutely know who they are. Regardless of how certain or sure they are of their identity, what we know these kids need is family acceptance, and family acceptance does not necessarily mean, “oh, my kid’s trans, so let’s go get hormones.” They need to know that families have their back, and ideally that communities, teachers, churches, have their back and love them no matter who they are.
LR: In your book, you said that if depression and anxiety develop, it’s likely due to negative social responses, so treatment should be aimed at helping and healing the surrounding environment. Are you saying that effective intervention for the child or teen means that the clinician must work with the family?
MJ: We do help the child, too, but I feel like the root of it is not necessarily about their child’s gender as much as it is about the parents’ response to their child’s gender expression. If we think about just anxiety and take away the gender piece when we’re working with an anxious child, we often find that we have to work with the parents as well. You know, there’s something going on at home, or there’s ways the parents can do things differently to help work with us, to help treat the anxiety. We were not just treating that in isolation.

So, in that way, it’s not that big of a leap to think about it as you’re starting with the family. And somebody doesn’t have to be out there being super politically active if that’s not what they want to do. But the way that they are holding gender in mind and interacting in the community, in their own communities, for example, and raising awareness, I think is huge.   

LR: Do you go to the school in the course of working with a particular child and family? Do you go to churches? Do you go to community centers? What is the extent is your work outside of the therapy office?
MJ: I think gender-affirming care is a team effort. We’re lucky here because we have people at UCSF’s Child and Adolescent Gender Center, where there’s an educational specialist. And if the family wants, that person will go with the family to the school and advocate on the child’s behalf.

If the family doesn't want to bring in an educational specialist, I know about creating a gender and educational gender plan. I can offer information to the family if they feel like they can address the school themselves.

That’s basically about having a discussion with administrators about whether there is a safe person for this child to go to if something were to happen. What bathroom is this child going to use? Do they have access to one that feels safe and comfortable to them? Whether teachers are informed or not, whether the kid is out to peers or not, those sorts of things are talked about amongst the adults to create a plan to support the child at school, for example.   

LR:
I  think gender-affirming care is a team effort
So basically, extending the office to include all possible support members to extend the safety of the office into the world that they actually have to live in.
MJ: Exactly.
LR: What about the kids who express gender stress, even gender dysphoria, but don’t want to, or aren’t committed to chemical intervention? 
MJ: We’re seeing this a lot. I think this is one of those myths out there that transgender and gender diverse children and teens necessarily are seeking out medical intervention. Because that’s not true. It’s a subset that wants medical intervention, and even within that subset it has to be determined to be the right next thing for them.

There are many, many young people who identify as gender queer, non-binary, or even as a trans girl or a trans boy who have no desire for medical intervention. They love their bodies the way that they are. And so, there’s that piece, and then in terms of the journey piece like we talked about in the book, is that gender journeys are something we’re all on throughout our life, right!?

Even as a cisgender woman—and being a woman has been an important identity of mine—but how I experienced being a woman, and thought about being a woman, and expressed my femininity or lack thereof at 20 years old is very different than how I do it now in my 40s. So, there can be shifts in how we express gender, experience it, and then there can also be shifts in identities.

That happens over time, and so we don’t think of there ever necessarily being an end point in terms of a gender journey, although there may of course be an end point in therapy when kids are doing well, and they’re not needing that level of support.   

Gender-affirming Work with Families and Beyond

LR: What are some of the clinical challenges that the parents have brought to you, or the families? Because it’s not just parents, it’s also siblings, maybe even the extended family.
MJ: There are so many if we got into specifics! But I’ll start general first. When a child comes out as transgender or gender diverse in some way, it impacts the entire family, especially the family unit living together. And siblings have a range of experiences. Sometimes it’s not an issue, and everything’s fine, but other times, the sibling may go to the same school. This sibling may either feel they are a target, or they may actually experience being a target, like being teased for who their sibling is, or they may fear that that is going to happen, even if perhaps it doesn’t. Siblings might not understand and might need support in even understanding what this means.

However, I think parents struggle more than siblings do, partly because we’re finding that young people just tend to have more flexible minds around gender than us adults. One particularly difficult thing is that every parent has dreams for their children and ideas about who their child is, who their child is going to become. When they realize that there’s an aspect of their child where their gender is something different than they’ve imagined, there has to be a reworking of those dreams and expectations. Oftentimes, there has to be a lot of grieving and mourning for what they thought that they would experience with their child, or what their child would experience in life.

There’s often anxiety for parents about how the world is going to accept their child. They may ask, “Is my child going to be hurt in this world because of who they are?” Then there’s the stress of extended family. I’ve worked with families where things are going really well within the nuclear family, but the thought of telling grandparents feels really dicey out of fear that the grandparents aren’t going to understand.

Or I’ve worked with families who are religious, and their particular church or synagogue is not supportive of gender diversity. This is a community that the family loves and relies on, and they’re having to face the harsh reality that they may need to move out of or disconnect from this community in order to support their children. Or they wonder if there is a way for them to bring education to those communities and to help them to grow and expand to accept their children for who they are. So, it's a lot of pieces that parents are holding.   

LR:
here are many, many young people who identify as gender queer, non-binary, or even as a trans girl or a trans boy who have no desire for medical intervention
What family factors have you experienced that might undermine successful intervention with the child, or do those families simply not come to therapy?
MJ: Rejection is the biggest thing. If parents are absolutely like, “this is not true, it’s not real, I’m not even going to discuss this with you,” that is the worst-case scenario, and we see those children do very poorly. That’s where we’re seeing the highest rates of suicide. The highest rates of runaways. And once these children run away, they’re at greater risk of victimization than their cisgender homeless peers. So, we know that the biggest protective factor is family acceptance.
LR: Are the transgender kids accepted in the broader LGBTQ community, or do you find it depends on the community? 
MJ: It’s actually kind of complicated. In my experience, some older adults or adults in general‚ not young adults, but middle age and older in the LGBT community can be quite non-accepting and surprisingly dismissive that these identities are real, coupled with the belief that it’s sexual orientation and not gender identity.

I would say that we see less of this within the younger members of the LGBT community, like adolescents and young adults. I think there’s still some cases

Addressing Bullying in the Classroom: Undercover Anti-Bullying Teams

“I know I’m weird,” she said slowly, tossing her multi-colored hair around her shoulders as she sat down heavily in the chair in my office, “but I can’t help it!” Tears welled up in her dark eyes, and she shuddered involuntarily. The smell of sweat and fear filled the air in my small room. Her eyes, heavy with cheap mascara looked as if they had withdrawn into her pale, blotchy face. She shifted her long body from side to side. “I feel like a dumb goose,” she sobbed. “I don’t belong in this school or even this world. I know they all hate me.”

I sat back gently to give her space and listened with interest to what she was saying. I had seen her on the school campus many times, usually alone, looking stressed and unhappy, walking quickly from place to place, carrying her heavy school bag and not looking at anyone. Other kids seemed to avoid her and whispered about her as she walked past.

“It’s not fair, I’ve done nothing but be myself, but nobody can accept that. I am starting to think that it’s true what they say. Why do they want me to change? I don’t ask them to change who they are!” she blurted out.

“I don’t belong here,” she reminded me. “I want to stay home and never go to this stupid school.”

She paused for a moment, then she said, “But I hate home as well, I don’t belong there either, my parents are losers and never get out of bed. I don’t know what to do. I really hate my life.”

The sound of her pain seemed to hang like a sword in the air. I was stunned by this stream of painful emotions that surged like a tornado in my room.

“No,” she said emphatically, “It’s not fair because I have done nothing.”

“Would you mind if I asked you some questions about what’s been happening?” I asked. “I’ve seen something like this before,” I added, “and I have some ideas about what we can do.” She shifted slightly in the chair, her long legs looking for a place to hide and her sobs began to slow down. She shrugged her shoulders and said, “I guess…Go ahead then.”

I paused again for a brief moment, then I asked gently, “Where does this kind of thing happen most?”

“It’s everywhere but mostly in my classes. It’s the story of my life. They gang up on me and shut me out deliberately and they talk about me behind my back. I can’t take much more of it,” she said. “They bully me and make me feel stupid. One kid even made up a song about me. Everyone laughed, even my so-called friends,” she said with disdain.

She lifted her head slightly and looked out at me from under her tousled hair. I handed her a tissue and she dotted the black lines of mascara that had made streaky tracks on her face. I had been carefully listening for a way to talk about what she had been experiencing and I had a number of choices including “bullying,” “ganging up,” “shutting me out deliberately,” “talking about me behind my back,” “making me feel stupid,” but I chose “bullying” because it seemed to sum up all the other things she had been going through and it was, after all, a description that she had chosen.  

“Is it bullying that you’ve been the target of?” I asked. When I used this word, she looked up at me and her face winced at the sound of the word. I felt that I had struck a chord with her.

“Yes, it’s bullying plain and simple,” she said sadly.

“I would like to tell you my ideas about how we can get rid of it, would you like to hear them?” I ventured. “It may take a few minutes and if there is something you don’t understand, please ask me. Is that alright?”

She didn’t answer, and looked bored, but I persevered.  

Planning an Undercover Anti-Bullying Team

“I have seen problems like this one and even some worse ones solved with ‘Undercover Anti-bullying Teams,’” I continued. “They are a group of students from your class that we select together, and they come up with a plan to eliminate the bullying. Once they find out how much the bullying is affecting people, they usually are happy to do whatever they can to bring some happiness back into the class. It’s my guess that they are looking for a chance to do something right. I think they know about the bullying but don’t know what to do about it. They hate it as much as you do.”

“Yeah, sometimes some kids have stuck up for me and the bullying has stopped, but it doesn’t last. I wish they could keep it up because that’s when I think they accept me.”

I paused for a moment, thinking about what she had just said. I could see that there had been moments when there was no bullying, that there had been exceptions to the story that she was telling me.

“On your team,” I continued, “must be the two kids who are the biggest bullies together with four others who are kids that the teachers and other students look up to.”

She looked startled when I mentioned the bullies being on the team.

“That’ll never work,” she said, “Why should they want to help me when all they do is bully me?”

“Well for one thing, they are outnumbered,” I smiled, “and the other more important reason is that, in my experience, sometimes even the bullies get sick of bullying, but they don’t know what else to do. They almost think that’s who they are. For some reason, they like to think that they know how everyone should be and when they come across someone who they think is different, they try to get them to be like them! That’s the part I am still trying to figure out, why they think they should do that.

“I’ve found through doing this Team idea for over 50 times now, that once they are introduced to a better way and the other kids on the team get behind the plan, they always seem to change the way that they speak and act, and in some teams, they have become the leaders of the team! In many cases, the bullies have become friends of the ones they had been bullying, but we don’t expect them to.”

“It could work….” she said cautiously. “50 times? How many failures have you had?” she cheekily asked, and I thought I detected the hint of a smile.

“I know it sounds ridiculous, but there have been no failures. Every team has been successful in eliminating bullying, and what’s more,” I said with pride, “it hasn’t returned!

“There are two other important parts to this way of dealing with ‘bullying’.” I continued. “Firstly, the teachers of your classes are told what has been happening to you in their class and that an ‘undercover anti-bullying team’ has been set up to eliminate it. They are usually quite surprised, and some teachers have even told me that I’m mistaken. They say that there is no bullying in their class! Just goes to show how clever kids are. The kids who bully certainly don’t want the teachers to know about it.”

“The teachers are told the names of the team members including those doing the bullying, but without mentioning the names of the students who are doing it. They are invited to make suggestions about who they think should be on the team. Sometimes we add their names as well, but most often you will know the ones best suited to help you. It’s not just your friends, but ones who you think could really make a difference. So now the teachers know about what was previously kept hidden from them. They become like extra team members!

“Secondly, when you are sure that the bullying has gone for good, the team members receive a certificate of recognition from the Principal and a canteen voucher from the school. We have a special ceremony in my office where we hand out the certificates to the team. We talked about how the team went and what they have done and what they can keep doing to make this school safe from bullying. Sometimes the Principal hands out the certificate, sometimes the dean, and sometimes teachers and even parents will come to show their appreciation. Sometimes, the ex-victim likes to give out the certificates!” Like I said, I’ve done this over 50 times now and it has worked every time.”

“I guess…” she said tentatively. “It’s better than nothing being done which is how it’s always been.”

“Once the team is set up,” I continued, “They make a plan that details how they are going to make the changes. I don’t tell them what to do, it’s better if it comes from them.”

“Then I wait a couple of days for the team to begin their plan and the next step is to call you out of class, and we talk about what has changed and what remains to be changed. I write all this down on my form. Then I call the whole team together and I share with them what you have told me. We talk about the same things that I talk about with you, such as: How is the plan going? Should they add to the plan? Is it enough? Have they been able to stick to the plan? What have they noticed about your reactions to their efforts? Have other kids said anything? Have they been able to keep it undercover? Etc.

“You don’t have to meet the team or do anything special, but it does help if you recognize the efforts the team is making. I also ask your teachers to tell me what changes they have noticed, and I share these observations with the team and with you each time we meet. We keep going with this process until you decide that the bullying is over. In most cases it takes at least a couple of weeks for the changes to become permanent, but I am sure you agree that’s not much compared to how long this has been going on for.”

She was starting to show some real interest by now. She brushed back her hair and stood up and looked at her eyes in my mirror. She used the tissue I had given her earlier to dab the corners of her eyes. She is quite tall, I thought, as she stood beside me.

“Well, to get this started I need to carefully write down the story of the bullying. This will be what I read to the team. Then we select the team members and then I email your teachers to let them know what we are doing. The next day, I call the team members from classes where they will not be obvious and give them their instructions.”

“One more thing,” she interrupted me, “why is this ‘undercover?’”  

“I was hoping you would ask that,” I said. “As I explained earlier, I have found that when people feel that they have been caught out bullying, they are more than likely to blame the person they think has exposed them. Then they try to get revenge on that person, and it usually makes things worse. If they are invited to solve the problem of bullying without being exposed as the bullies, they respond positively. It’s a way of protecting you from retaliation. They become part of the solution, whereas before they were part of the problem. It gives them a fresh chance to do what is the right thing to do. Punishment never works in cases like this.”

“Also, the other students who have been observing the bullying and have done nothing to stop it usually feel ashamed of their inaction. By being anonymous, they also get a chance to make the changes they have wanted to do without it being a big deal.”

“But the main thing though, is that this kind of bullying survives because it is undercover or under the radar. Teachers rarely see it. We must use the same kinds of tricks against it, and who better to do it than students themselves? It is a job that no teachers or other adults can do; it’s going to need some special strategies to expose it and to get rid of it.”

I paused for a while to let all this information be absorbed by her. She seemed to understand what I was saying.

“What I have noticed happening with these teams, is that sometimes the friends of the team members notice the changes and ask if they can be on the team. It’s often hard for the team members to keep it a secret because they enjoy the new job and things in the classroom change pretty quickly. I believe that the kids who bully are not bullies by nature. Often, they don’t even realize they are bullying. They think they are having a joke. Hardly ever do they think that bullying is their only job in life.  

“Are you ready now to tell me your most recent experience of bullying?” I enquired as I took out the forms I use to record her story.

“Well,” she began, “It’s been going on for most of my life. It wasn’t as bad at primary school, but it’s gotten much worse as I’ve gotten older.”

This is what she told me. I carefully recorded her own words, checking every now and then to make sure I had written down exactly what she said.

“Well, in social studies, we had to get into groups around tables and I was late to class because of my rowing training. The only place left was right by the door where no one was and everyone who was around were saying things like ‘goosey girl,’ ‘loner,’ and ‘O.T.L.’ (Only the Lonely) and stuff and laughing so the teacher couldn’t hear. I was sitting by myself, and it made me feel horrible, like I was dead meat.

“Another time last week was when I walked into the library, a group of the boys were lined up against the wall on both sides and they were yelling stuff at me and saying stuff to me. They were calling me names and saying that I made up an account on Facebook just to have friends and stuff and why did I bother coming to this school because nobody wants me here. A while ago in P.E (Physical Education), we had to get into groups, and nobody wanted to be in my group. The leaders put me in a group, and they were all going, ‘why do we have to have her in our group and stuff?’ This kind of thing happens to me a lot when we have to get into groups.”

I wrote it down as she spoke, checking with her to make sure I heard her clearly. Then I asked her how this incidents affected her and made her think and feel.

“I feel like I can’t cope, and I want to be able to relax like everyone else. It’s OK for them but they don’t realize what they are causing me because I don’t get any support at home. I don’t feel at home even at home. It makes me want to run away. Sometimes I want to leave but I can’t. Sometimes I want to leave and never come back. I hate coming to school early for rowing because kids are saying horrible things and stuff but if I am late, everyone draws attention to it. They look at me and act in a shaming way. It makes me hate school. I used to love school and now when I wake up, I just want to lie there and not move. I hate it so much. Sometimes I wish I was not even alive.”

I let that powerful expression of her emotions hang in the air. I had heard similar stories many times but each of these moments are so moving, so important. Following the questions on my form, I gently asked her, “Ideally, how would you like things to be?”

She paused for a while and looked at me. My guess was that it was hard for her to relive those painful moments, but this question seemed to shift her thoughts.

“Well, I want to feel comfortable here to relax and forget about everything else, to be comfortable at school. I want to be able to say what I feel, not being scared of everything I say and do. I don’t want to be bullied anymore. I want to have friends, good friends that I can trust and not laugh at me or put me down. I feel like I must defend myself to show that they are not hurting me,” she added.

“Thanks for letting me write it all down,” I said. “Can I read it all back to you to make sure that I have got it down correctly? Remember that this is the story I will read out to the Undercover Anti-bullying Team once they are assembled.” She nodded her head. I read the story to her just as she had told it to me. She listened carefully to my reading of her story and looked sad. “Are you OK with me reading this out to the Team like that?” I asked.

“I hope this works,” she said, “and that they don’t use it as a reason to bully me more,” she said with a worried look on her face.

“You know, in all the Teams I have run, that has never happened. Most times the team is shocked to hear the story and is ashamed that it has got to this stage. In some cases, students have cried when I have read their story out. One time, the bully confessed! It was him that eventually became the leader of the team.”

She seemed reassured by this, and I said to her, “Now we must select the Team before I let the teachers know about it. Let’s look at your class list and we can go through each student one-by-one and you can tell me what you know about them and we can select the Team.” I printed off the list and we discussed each student. I explained that apart from the two students who were responsible for the most bullying, the other four people would be students that the rest of the class and teachers looked up to. Students with status in the eyes of their peers. I recorded these names on my form.

Once the composition of the team was decided, I thanked her for her bravery in coming forward with this and I sent her back to her class.

Building the Anti-Bullying Team

Then I sent this email to her teachers:

Hi Teachers,

Candice has told me a story about some bullying of the continual teasing, name calling, mocking family, excluding from group work type, what others might think as “low level,” but to her its big and causing her to switch off school. Together we think that an Undercover Team might work well to eliminate the bullying.

She has selected:

Michelle, Josephus, Mario, Alayah, Yanet and Carlos as students she wants to support her. Remember that in this group are the two “worst” bullies. Considering what you know about these students and others in the class, can you suggest any others that may be more suitable?

If you think this is a good team to go about doing anti-bullying work, don’t reply. If you have any suggestions, please let me know asap as I need to call the team together tomorrow.

There is nothing extra you need to do but it would help if you notice the activities of the team and feed your observations back to me by email. I will pass them on during the monitoring process. You may decide to take some actions yourself with the class, but please do not let the existence of the team be known to the class.

On the side of a bullying free school, Mike.  

Sending such an email to the teachers is a risky business and I have only recently begun to do that. It is my belief that this undercover bullying needs to be exposed, and the widest audience possible recruited, to eliminate it. By informing teachers about activities that have been happening in the lives of their students, they become part of the Team and become more aware of the relational climate in their classes. Knowing what I know about each teacher, I predicted a variety of responses.

1.Dear Mike

Thank you for the email regarding the bullying of Candice. I was quite surprised to read this because I thought she was doing very well. Are you sure you have the right person? I struggled to detect the two worst bullies though. Except for Mario who makes the occasional smart comment to everyone, not just Candice, they all seem to be nice kids. I won’t allow any negativity in my class though and it is important for me that kids feel safe enough to learn.

It must be pretty low level as you say because I haven’t seen much of it. Still, I will take your word for it and keep my eyes open for the positive actions of the team members. She has selected a good Team because the ones she has chosen are students that I think have leadership potential. Who are the bullies again?

I will keep you posted, George.

2.Mike

I thought as much! She is strange and the kids find it hard to accept her. She should get her hair cut and not put so much make up on. She mucks around quite a bit and draws attention to herself. She doesn’t do much work in my class and is absent a lot. She doesn’t make it easy for herself though as she sometimes says some pretty harsh stuff back to them. I wonder if she deliberately excludes herself from whole class activities.

She does need to harden up and not be so sensitive.

I will keep my eyes open for any kids who might be acting differently towards her, but I can’t see them making much of a difference.

Most of these kids on her “Team” are pretty hard workers when they want to be so I wouldn’t make any changes.

Andrea

3.Dear Mike

This is clever! I have seen this kind of thing in my last school but it was more obvious. The counsellor took the kids who were bullying aside and had a talk with them. There was a small change but it didn’t really last because my guess is that they did it for the counsellor, not because it was the right thing to do.

As you know, I do my best to have the best environment for learning. Happiness is important to me, and I want my kids to have fun learning. But if any one kid is unhappy in any way, I want to know about it.

I will call a class circle tomorrow and we will all talk about how we can make our relationships the best that they could be. I will not draw attention to Candice but talk about good relationships in general.

In agreement with you about having a bully free school, Jenny.  

I was predicting a more unsupportive response from one teacher who I knew wouldn’t email me but would talk to me face to face.

I was sitting in the staffroom with my friends during morning break when he came over to me. The room was filled with colleagues drinking coffee and enjoying the respite from teaching. There were lots of warm conversations around tables and some people had gone outside to enjoy the early summer sun.

“Can I talk to you?” he asked.

I knew what this would be about and I steeled myself for what I knew was going to be a difficult conversation. “Could we go somewhere else and discuss this outside?” I asked.

We found a quieter corner of the courtyard and he started telling me his ideas.

“I am not happy about this ‘Undercover Team’ in my class,” he said. “It’s bollocks. I won’t tolerate bullying. I have high standards. If I knew who they were, I would make them stand up in front of the class and apologize to everyone for what they are doing. Then I would give them a detention or lines, and I would ring their parents and tell them what they are doing.

“Going soft on these bullies is a waste of time,” he continued. “They need to be held accountable for what they are doing and be punished. That’s how it was in my day, and I haven’t changed my opinion.”

I struggled to find a way to address his concerns.

“Kids in my class don’t dare bully each other. If I catch them, they know what to expect. If it was my kid who was bullied, I would want those kids excluded from school.”

I took a deep breath and tried to be calm.

“I know that this is not how you might do things, " I said, “but I have found over many years that when kids are punished, especially for bullying, they will somehow try to get their revenge back on the person that has told on them. If they don’t, then they will get their friends to. It always makes things worse. Besides, they spend time thinking about revenge and then they don’t learn. In my experience, students who are bullied don’t want the bullies to be exposed or punished. They just want it to stop.

“We both want the same thing, for kids to learn and to treat each other well. I am not asking you to change anything in any way, but just see if you can notice when the students on the team are doing positive things to support Candice.

“There may not be bullying while the students are in your lessons,” I explained, “but if all teachers can be on the lookout for any kind of unpleasantness, then our school is going to be a much happier and purposeful place, wouldn’t you agree?”

“Well, I’d be surprised if it was going on in my class, but I will keep an eye out for Candice as I do anyway.”

“Thanks for telling me about your concerns,” I added and went back with a pounding heart to my friends.

The Anti-bullying Team Convenes

Two days later I called up the team members. They shuffled into my office looking anxious and worried. I suspected that although they were classmates, they were not friends. They looked at each other suspiciously and began to ask why they were called out of class.

“Welcome,” I smiled and said as they looked uncomfortably for a chair to sit on. “You must be wondering why you have been called out of class and I will tell you why in just a moment and you may be surprised. But you may not be as well.

“Yesterday, one of your classmates told me a sad story of bullying in your class. I made sure she didn’t mention any names because as I explained to her before she started, the best way to eliminate bullying is for everyone to work together. Sometimes people get caught up in bullying and want to change because they know it’s wrong and they would not like it if it was done to them. Sometimes, people don’t even know that they are bullying and just think they are having fun. Other times, people see and hear the bullying and don’t know what to do about it. Many times, it seems as if even friends are in on it”.

“Who is it?” one student said. “Why us?” another said.

The room went silent, and some students began shifting nervously in their seats. I let the silence sit for a while and then I continued, “She has personally selected you as the students best able to eliminate the bullying. Not only that, but your teachers have endorsed her selection and are going to do what they can (without exposing the team) to make their classrooms safe from bullying. If you agree to be on the team, and when you have eliminated the bullying for good, you will receive a Principal’s Award in recognition of your anti-bullying activities and a canteen voucher from the school at a little ceremony to celebrate your success. He could even present it to you if you like,” I added cheekily.

“The important thing about this is that it is undercover. Nobody would know of your existence but myself, your teachers, the Principal, and of course the student who has been bullied. You can tell your parents if you like as I am sure they will be proud of your selection in this really important matter.”

They laughed uncomfortably and looked at each other sideways.

“I am going to read out the story and then I will tell you who it is and ask you if you would like to be involved. Are you ready to hear her story?” I asked.

“Yes,” they all nodded in agreement.

“I think I know who you are talking about,” one of the boys ventured.

“I will read the story exactly as she told me. I have added nothing and taken nothing out. You may know of the incidents she describes, and you may have seen it differently, but this is her story; this is how it is for her,” I added. “I am telling you in this way because I want the focus to be on the bullying, not so much on who was involved. You will notice that she doesn’t name anyone. That is not important to me. No one is being blamed or singled out.”

“This is her story,” and I read out her story, including how it made her feel and think.

There was silence as I read Candice’s story to the group, and some students said quietly, “that must be horrible.”

“I think I know who it is,” one boy said. “I didn’t know she felt like that. That’s sad.”

When I mentioned her name, I noticed looks of surprise on the faces of some students. Some were clearly embarrassed, but all the students listened without interruption to her tale.

“Would you all like to be on her undercover team?” I asked.

They all said they would be, including the ones she has identified privately as the two worst bullies.

“What do you want us to do?” Josephus asked.

“We make up a plan. I call it our ‘five point plan.’ On it, we list simple ideas that will turn things around for her. Who would like to start?”

I went over to the whiteboard with my marker in my hand. “If the same things were happening to you, what would you like people to do?” I asked.

“Offer her help when she needs it and offer for her to come into our group. I will do that,” Alayah said.

“That’s great!” I exclaimed.

“I could remind her that she doesn’t need to go ‘all stupid’ in a gentle way. I will do that because I think she will listen to me,” Michelle said.

“Stick up for her when people tease her,” said one boy and the others all nodded in agreement. “Would you all like to sign up for that?” I aske

Using Four-Legged Friends as Metaphors in Therapy

The Clinical Challenges of Adoption

As an adoptive parent and psychologist, I’ve long been drawn to all clinical aspects of the adoption process. I began this part of my journey with my wife, who, as an adoption social worker, referred home studies to me. A home study is basically a psychosocial evaluation of the prospective adoptive parents with recommendations about their “readiness” or “fitness” to adopt. Through those many intimate visits with clients, who, for a variety of reasons ranging from infertility to choice, I learned of the frustrations, despair, and hope that accompanied the decision to raise another person’s child.

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The home studies laid the foundation of the post-adoption placements with those new parents who were fortunate enough to meet the often-stringent requirements for domestic adoption, and even more demanding requirements that accompanied adopting a child from another country. While those visits were often accompanied by the joys of new parenthood, they also came with a myriad of unanswered and unanswerable questions about what lay beyond the luster of that new status. From those visits, I learned of the many challenges that new parents faced, peppered in with the often-irrepressible joy they experienced.

From the child, especially when I was privileged to work with them in therapy, I witnessed firsthand the “primal wound” that Verrier described as a core dynamic in adoption. For as much as is gained by an adopted child, so too have they experienced loss, even when that loss was necessitated by birthparent neglect, abuse, and/or abandonment. I even had the opportunity to work with those birth parents before and after placement, where the experiences of grief and loss were clearly on display.

The Therapeutic Value of a Puppy

I remember 8-year-old Amber and her 4-year-old brother Asher, siblings who had spent most of their childhoods in various foster placements following removal from their biological parents due to severe neglect. My work with them began right around the time that their out-of-state adoption was being finalized, so I knew that my time with them would be short. Since they were, in every sense of the word, fellow travelers, I met with them together in play therapy, themes which revolved around family life.

I was able to loosely track the chronology of changes they had experienced in their short lives through their dollhouse and sandtray play. What stood out the most was the issue of loss, impermanence, and change, issues that were always at the forefront of their lived experiences. One of our sessions revolved around planting a small tree in front of the office. Metaphoric and literal conversations about growth, hope, and vitality were plentiful. Gardening and nature-based metaphors are among my favorites in therapy, made even more so when I have been able to literally get my hands dirty with clients.

And then the day of our last session came. Amber and Asher would be traveling the next day for what would hopefully be their permanent placement. I was very anxious. What could I possibly offer them in those last minutes of our short-lived relationship? What could I say that could even be mildly reassuring?

As I drove up to the office (and I promise that I am not making this up), there was a puppy sitting on the doorstep—very young, very lost, and thankfully, very affectionate. I knew at once what shape the final therapy session would take as I quickly scooped up this little lost creature and brought it inside.

The children came only moments after I got settled, so I thought it would be a good idea to include them in the welcoming of this puppy—water, a soft towel to lay on, and some of the resident cat’s kibble. We had to manage with what we had on hand, but no one, especially the puppy, complained. Asher and Amber fell instantly for the dog, taking turns gently holding it, assuring it that it was safe and loved, and that it would be cared for. We talked about fear, hope, loss, adoption, and forever homes that day, and we never used any of these words. This furry, four-legged metaphor was all we needed to help launch these children on the next leg of their own journey.

***

Take whatever lessons you’d like or need from this story into your own clinical work, whether it be with children, adults, or any of your clients that have been lost and seek welcomed rest stops along their own journeys.

Questions for Thought and Discussion

What have you found to be some of the greatest challenges in working with adopted clients?

What are your impressions of the author’s approach to this case?

How have you used metaphors in therapy?

Bringing Art (Therapy) to Life: An Interview with Judith Rubin

 
 
Victor Yalom: Welcome Judy. I wanted to start out by saying how grateful I am that you’ve recently trusted psychotherapy.net to publish the vast video library you’ve created, containing over 100 expressive arts therapy titles. It’s truly an honor for us to be the caretaker of this unique and incredibly valuable library. So, thanks for that, and before we talk about the collection, I want to get some context. I understand that through some interviews you’ve given, that you were there when art therapy was just starting as a field of study and practice. I know there’s not just one art therapy, but to get us going, how would you define art therapy or art therapies? What does that really mean? 
 
Judith Aron Rubin: People get caught up in trying to define it, but it’s simple in my mind. Art Therapy is using an art form, in my case, the visual arts, to help people through therapy. And yes, there are many variations; but in its essence, it’s art plus therapy.
 

The Therapeutic Value of Art

VY: Why introduce art in therapy?
 
JR: As it turns out, and I guess we all know that we don’t start out having words as infants, but we do start out having visual experiences. Other art forms like movement, drama, and music also depend on some of the other basic sensory inputs babies have. So, these are simply ways we learn early on of taking in information about the world and then expressing experience.
 
To not take advantage of these natural and inborn languages in trying to help people get better seems almost foolish. Cooing, babbling, dramatizing, pretending, and making marks seem universal in higher primates. When given art materials to make marks, chimpanzees and apes like to draw and paint. So, it’s a natural activity that can be used to help people — another avenue to reach people and to help them find out about themselves.  
 
VY: Art Therapy is using an art form, in my case, the visual arts, to help people through therapy. It makes a lot of sense when you think of it that way because one of the things we’re always trying to do in therapy is to get people to explore new things and come to new understanding about themselves — although not necessarily to a non-verbal place. I know you were trained as an analyst and that in analysis, the clinician uses techniques like free association to help people discover new things about themselves by exploring their unconscious or preconscious. This sounds similar to your way of describing the use of art in therapy, although it’s probably more expansive.
 
JR: That’s one way of looking at the value in people expressing themselves freely like free associating with words. Free association and images is actually quite fun. And you can do it with mental images. You don’t have to draw or paint them. And in fact, there were a lot of psychologists in the 60s and 70s and 80s who were quite interested in mental imagery as a way of understanding, but also helping people.
 
VY: creating something visually, or moving or dramatizing, are all ways of cutting through those defenses. So, it’s tapping into these other ways of experiencing and seeing the world. How is that helpful to clients?
 
JR: Because they can get in touch with things that they are unable to articulate in words. It’s obvious with people who are not very verbal, or who are communicating to us through a second language, or who have hearing or expression problems. But it’s also very helpful with people who intellectualize, who use words defensively to cover up. They’re not aware that they’re doing that, but that happens. Creating something visually, or moving or dramatizing, are all ways of cutting through those defenses, allowing something to become part of someone’s awareness that they couldn’t otherwise access.
 
VY: There are two interesting points that I hear you making. One is that art therapy can be very helpful. It seems that it has historically been used quite a lot, and probably still is. I think non-art therapists think of art therapy being used more frequently with these populations who aren’t as verbal, and who may be in hospital settings with psychotic patients or others with other disabilities.
 
What I also hear you say is that it’s very helpful for people who intellectualize, which is a large percentage of the clients we see, especially higher-functioning ones. That can be a real limitation in therapy. People can talk about themselves; they can theorize and intellectualize about themselves; they can tell stories and come up with intellectual and rational explanations. But that doesn’t necessarily lead to anything happening therapeutically.
 
JR: Yeah, it’s interesting because using art in therapy seems to help people not only get to a kind of awareness or insight, but also to feelings that they aren’t aware of that are often evoked by using art material or seeing what they’ve created with the material. This can be incredibly powerful.

And the Children Shall Draw

VY: I’ve just had a chance to look at a few of the videos in the vast library that you’ve created. One image that struck me was when you were working with a young girl who was non verbal. People thought that she was “retarded,” which was the term used at the time. She drew this incredible image of going to see the dentist. Do you remember that?
 
JR: I do. That was 1967 — three years before the American Art Therapy Association was formed. You’re right that it was in the beginning years, and that was exciting. Actually, it was fun. I feel lucky to have entered the field at a time when it was essentially unformed. It was about ideas and passionate people. But there hadn’t been any kind of intellectual framework developed yet.
 
VY: I feel lucky to have entered the field at a time when it was essentially unformed. It was about ideas and passionate people. This is perhaps an example of the power of art that I can refer to one image someone created in 1967, and it can immediately evoke that same image in your mind.
JR: I not only remember the image, I remember the little girl who came into the art room in her wheelchair. I remember watching her create it and thinking, “God, this kid is not only not retarded, she’s saying something that needs to be expressed.”
 
VY: But she’s saying it through a picture.
 
JR: Yes. We were assessing children in a place then called the Home for Crippled Children, meaning it was all children with disabilities, some of whom were residents and some of whom came during the day. They had about 200 kids and had invited me to start a pilot art program because they had never offered art for the children. I met with the coordinators who presented me with a list of 10 eligible children. I remember saying, “only 10 out of all these children?!”
 
They were so anxious about what these kids could or could not do, so they picked only the 10 highest functioning children with the most mobility and fine motor skills. I asked if it would be alright if we assessed everybody, which they agreed to. As a result of this assessment and this drawing, this little girl was moved back into the classroom that she had been taken out of.
 
VY: Many therapists may think, “I’m not artistic, so this isn’t for me.” Is that a common thing you find?
 
JR: Oh, sure. Many patients and adults too. Except for children. Most children don’t say that. But adolescents? Adults? Sure, but then you explain.
 
VY: That’s interesting that kids don’t say “I can’t draw, I can’t dance, I can’t sing.” It’s something they do naturally. And then what happens? How do they go from there to this idea that I can’t draw, I can’t dance, I can’t sing.
 
JR: It happens developmentally around puberty, where they become much more self-conscious in the general sense about the way they look, the way they move, the way they dress and how they draw. They become self-critical. It isn’t simply their artistic talent or lack of it, because until a certain age, most kids are un-self-consciously able to create.
 
There are little children of all ages who are blocked, who are unable to play. These children really need creative arts therapy because it’s a kind of play therapy. I think the creative arts therapists in their training, in their experience, are used to helping people who can’t create, to be able to create, if that makes any sense. It’s part of the job.

Bringing Art into the Room

VY: Let’s get into what art therapy is, and how you use these natural, innate abilities in a therapeutic context to help people. That’s a big question.
 
JR: It is a big question. With different age groups, you present it in a different way, so I’ll just stick to art therapy for the moment because that’s what I know best. But, as I said, older children, adolescents, and particularly adults are inhibited. You explain that this isn’t about being an artist.
 
In fact, artists are some of the hardest patients in art therapy because they’re so aware and self-conscious about their art, and they want to make it pretty, good, and attractive. But that’s not the purpose of art in therapy. The purpose essentially is to help people express and find themselves.
 
VY: Some of the people reading this interview may be art therapists or know something about art therapy, and want to hear from you as a renowned figure in the field. But many others are therapists who have had no exposure to art therapy, so I’m wondering how, if you’re not trained as an art therapist, can you still start incorporating some of this into your work.
 
JR: I believe you can. It’s an issue, a political issue within the field, because it’s been difficult for art therapists to be recognized as clinicians. But in actuality, the training is at least as rigorous, if not more so than the training that LMFT’s and social workers and other masters-level clinicians receive. I believe it’s at least as good as, if not better than, the training that mental health counselors get. And many people go on for PhD’s these days in art therapy or related fields like psychology, which actually is what I did my doctorate in. So, I’m licensed as a psychologist, although I don’t think of myself as primarily that.
 
There’s some anxiety about sharing techniques and activities with people who aren’t trained in the art form or who don’t know how to help people to use clay or the paint or whatever, and may not understand what they’re unleashing. The truth is that you can get to buried material that can be quite disruptive unless you know what you’re doing as a clinician or therapist. That’s the political aspect of helping others to use art. But I personally believe that everybody should be incorporating it. I wrote a book called, Artful Therapy for Non Art Therapists.
 
VY: I think giving people choices is one way to help them overcome some of the inhibitions around using art in therapy. Whether someone is trained as an art therapist or not, can you say a little bit about how to introduce some artistic activity, whether painting, clay, drawing, or whatever into the therapy?
 
JR: That’s a whole chapter in a book, and a bit hard to put into words. One way is to help it be a non-threatening activity, because a blank piece of paper is pretty threatening to most adults. What has worked for me is to give people choices, to have options. I’ll say something like, “You can use clay, or you can use chalk; or if you prefer to use markers or colored pencils, that’s fine. You can use a little piece of paper or a big piece of paper, whatever suits you.”
 
I think giving people choices is one way to help them overcome some of the inhibitions around using art in therapy. It’s about explaining to an adult or adolescent that this is a way of getting at stuff that we might not otherwise be able to get at by talking. Another way is to ask people what they remember about their dreams, because dreams contain many visual images, so in a sense, they are already thinking as an artist.
 
VY: So, you give people a choice by starting out with some of the materials in your office or encourage them to have some of these materials available if you’re working online with them. What kind of instructions do you then give them?
 
JR: These can range anywhere from open-ended to a starter. A starter is an easy and non-threatening way to begin because it doesn’t push the person in one direction or another. You can put a blot of paint on paper, fold it, and then ask the person what it reminds them of. People also like to doodle or make squiggles, so you can ask them to do that with their eyes closed and then look at it, and then turn it around as you ask them, “what does this remind you of?”
 
Each time, it’s like a Rorschach as you ask them what they see. You can get a lot of projective material from this very simple exercise. Then you can say, “OK, now take all the other colors and make it look like what you saw in it.” Because it starts with the scribble that doesn’t require people to think of making something realistic, they’re liberated.
 
VY: The idea is that you want to reduce the resistance people have to drawing, or to art in general. And whether it’s an inkblot or a squiggle, you’re priming the pump.
 
JR: Yes, because just starting with a line or a shape doesn’t give you much. But when people start to develop an image, they can begin to see something, like an image in the clouds. That’s another common experience that you can remind people of to let them know that they don’t have to be an artist to be artistic. Or you can give them clay to fiddle around with and then ask them similar questions to those you asked about the doodle, squiggle, or ink blot.
 
VY: I’m sorry to interrupt here, but this reminds me of the walk I just took with my 92-year-old father, who was looking up at clouds and seeing faces in them. In an earlier stage of his life, he was not a visual person — he was a very word-and-intellectual person. In that moment, I saw him opening up to a different world in that way, which perhaps is something that happens with the elderly. Just an aside!
 
JR: That’s fascinating because he’s not the first person I’ve heard that about. I think it’s uncommon that people who were mostly word people begin to pay attention to sounds, images, and the nonverbal when they get older.
 
VY: Getting back, you started describing the process of helping people go from a doodle to filling it in. From that point, how do you do more? How do you work with that therapeutically?
 
JR: Well, let me give you another kind of example of helping people get started, one that’s very valid, and a bit different from that other making-and-creating exercise. We used to have more magazines for selecting and cutting out pictures to paste into a collage. You certainly don’t have to be an artist to do that. You just find the images you like — or even just projectively looking at postcards or small reproductions of artwork and saying something like, “pick the one you like or the one you don’t like and let’s talk about that.” You can use art as a stimulus and find non-threatening ways of helping people to get started creating.
 
VY: How do you connect that with the therapeutic issue that someone comes in with like a relationship breakup, or if they’re feeling depressed, or not sleeping well. These are some of the bread-and-butter issues that therapists deal with. How do you relate to that?
 
JR: If it’s a grown-up, you have to listen to them first. You don’t throw the art at them right away unless they say, “I’ve come because I want art therapy,” which sometimes happens, right?
 
VY: there are many ways of hooking into what they’ve talked about and asking them to think of it visually. If you’re an art therapist, it’s more likely to happen.
 
JR: But if they’ve been in verbal therapy and they’ve hit a block and they hear somebody say, “Oh, you can past this in art therapy,” they might then ask you, “Can I do some artwork?” But most of the time, people want to tell you what’s troubling first. You know, you don’t even have to ask, why are you here? They tell you pretty fast while they’re here. And so, you listen to that and sometimes you can say, “could you make a picture about that?” or, “what color would that be?” or, “what shape would that be, that issue you’re talking about?” or, “if that person was a color or a shape, what would they be?”
 
In other words, there are many ways of hooking into what they’ve talked about and asking them to think of it visually. And then you might say, would you like to make some art to see if that would help us? When I had adults in private practice, I would give them a choice of working at the table or the easel, or while sitting looking at me, in which case I would give them a sketchbook and they would sketch. I didn’t have to look at what they were sketching.
 
Sometimes, they want you to see it and sometimes they don’t. There’s a million different ways and I think one of the advantages of being in different positional relationships is also interesting. It’s not something you do in therapy as often, although some people like August Aichhorn went for walks with his patients. Some people do, but mostly people are sitting looking at each other, and if you’re an analyst, they’re not looking at you. But anyway, in the creative arts, there’s much more flexibility about how you are in space with one another.
 
VY: Even though we may think of ourselves as progressive, liberal, or open-minded, therapists like everyone else are creatures of habit who get locked into specific ways of interacting with their clients. Analysts traditionally didn’t look at their clients, and that progressed to primarily weekly, face-to-face, 50-minute sessions. And suddenly we had Covid and online therapy, before which most therapists would have said, “oh, no, you can’t do that, you’re going to lose everything!”
 
But the field, and most therapists adapted and realized that yes, you can do good work without being in the same physical space as the client. One thing I hear you saying is the importance of encouraging therapists to be flexible, whether it’s doing art, or standing next to them, or as in the case of “responsive art” where therapists draw along with their clients. However, I can see one challenge in teaching this is encouraging therapists to question their own preconceived ideas of what therapy needs to look like.
 
JR: I worked in a psychiatric hospital and child guidance center for many, many years, which were part of the University of Pittsburgh psychiatry training program where we trained a lot of social workers, psychologists, and psychiatrists. We discovered that the best way to train people was to get them involved in doing something themselves, even briefly, and then talking to their colleagues about how to use it in their work — just to get a feel for it making something and talking about it. This is the most powerful tool to convince people that it’s useful.
 
VY: I think of group therapy and how important it is for therapists to have the experience of being part of a group to really understand the power of group therapy.
 
JR: Same thing with art. I heard this again before the association was founded, from the woman who started art therapy at NIMH, which was one of the earliest places where they were trying it out. She said that whenever you train the staff, to make sure you get them working with materials. That way they will understand what you’re trying to tell them. And I think that’s why I started making films. There’s a limit to what you can tell or say about the arts in therapy with words.
 
I want to go back to the question you asked earlier about how to help people connect what they’ve done with what’s important to them. You need to be very open and explicit about that. In fact, you can get farther if you work with the symbol, rather than making or asking for any kind of obvious connection, like, “tell me a story about that picture, or what do you think is happening in the picture?”
 
You can instead ask them questions like, “If you were that person, what would you be thinking? What would happen next? What do you think happened before?” You get them to elaborate on whatever image they’ve created, and then after you’ve explored what they can understand creatively from their own creation, imaginatively, then you say, “gee, so what do you think this has to do with you?” or, “Does this have anything to do with you?
 
VY: interpreting what their drawing means is an old myth about how art therapists tell the patient what their work means. So, you get them to elaborate on it and tell stories before jumping too quickly to interpret the meaning?
 
JR: Interpreting what their drawing means is an old myth about how art therapists tell the patient what their work means.
 
VY: Well, it’s an old myth about therapy in general that the therapist would be the expert and be able to interpret for the client or tell the client what’s happening with them, or worse, tell them what they should do with that.
 
JR: Exactly! It’s a similar myth. Making the connection themselves is certainly necessary and helpful with older clients and adolescents. I’m not always necessarily explicit with children if you see progress.
 
VY: Presumably, the clients will often make those connections themselves.
 
JR: For sure. Once they learn that it’s something connected with them, you don’t need to ask those questions. They just become curious.
 
VY: I was never trained as an art therapist, but I would keep some drawing materials in my office and occasionally would have the impulse, for whatever reason, to offer that to my clients. And I recall one client drawing with some type of tropical fruit from the country she had come from. She explained that it had this kind of thick, even prickly skin. But inside, there was this sweet, tender, meat of the fruit. And it didn’t it take interpretation on my part to understand that she was talking about herself.
 
JR: That’s the other thing. The woman who told me to never try to teach psychiatrists without materials, believed, after decades of doing it, that the first drawing is usually a self- representation, even if people don’t realize it. That may never have been tested, and I’m not sure I agree, but it’s often true.

It’s an Artistic Day in the Neighborhood

VY: Changing direction a bit to before you began making videos, you said that you were the Art Lady on Mister Rogers Neighborhood. Can you say a little bit about that, and how that led to you becoming an art therapist?
 
JR: I was indeed. I was becoming an art therapist while also becoming a child development expert. Fred and I both had the same teacher at the Child Development Center where we worked with the same children. We were colleagues, and students, and workers at the same time. One day he came to me and said, “I’m going to be doing this television program next year and I’d like you to be on it.”I remember saying that I didn’t know anything about being a television performer. He said, “that’s why I want you to be on it, because I don’t want performers — I want real people.” I initially said no because I was going to have another baby and take some time off to nurse. Fred said, “oh, you can nurse before and after the tapings.” He was a little pushy, but I continued to refuse until he said, “don’t you have a grandmother in New Jersey?”
 
When I told him that I did, he said, “well, the show is going to be shown in New Jersey” — it was only going to be shown on the eastern seaboard in the first couple of years. Then he said, “well, it’s going to be shown twice a day in New Jersey and your grandmother in the nursing home can see you.” I finally and was on about once a month for three years. It was an interesting experience.
 
VY: What did you learn?
 
JR: I learned how to adlib (laughs). No, I learned how to figure out what he wanted me to have children do that was related to the theme of his program. But I guess that reminds me that being an art therapist means that you really have to be flexible and creative and figure out ways to work in different environments with whatever sort of person or group you’re confronted with. I ended up liking doing the shows because it was fun and because I was learning a lot.
 
Around the time I was taping shows with him, I was starting a pilot program at the School for the Blind in Pittsburgh. These were the multiple handicapped blind children, or premature blind babies as they were called at the time. They were being saved in incubators on neonatal units where they had better equipment. They were premature babies who had more than one disability. They were different from “normal” blind children. Sadly, there was a lot of hostility around introducing art with these children — similar to the situation at the Home for Crippled Children, but even more so, because they already had an art program, and said, “oh, you’ll never be able to do anything. These kids won’t be able to do anything.” Of course, it turned out they were. I assessed each child, and of course, they had to be different for blind children. We used a lot of sensory materials.
 
I said to Fred, “nobody’s ever going to believe how creative these kids are. They are amazing. But there’s such skepticism about them. Even in the school with people who know blind children.”He said, “well, you’ll have to make a movie. I said that I didn’t know anything about making a movie, and he said, “well, you must know somebody with a camera.” That was our conversation. I said that I would ask the people at Children’s Hospital who were already making slides of artwork. They had just gotten a black-and-white 16mm camera and said, “We’d love to go to the school for the blind. We don’t have sound, but we’d love to do it.” It was all very spontaneous, and that was my first film.
 
Although I hadn’t yet written my first book — I had written articles, one with the director for the Journal of Education for the Blind who said you couldn’t really convey in words how creative these children were. You had to see it. He was right! With seven volunteers, we started a seven-week pilot program, in which we incorporated the artwork with the children. So, we shot on a 16mm and edited on an old Moviola. That was old-fashioned filmmaking, which was fun. That was a new creative process for me, putting the images, sounds, and narration together.

An Art Therapy Film Collection is Born

VY: From there, you went on to create art therapy videos and eventually to curate and build a collection with some of the greatest people in the field, as well as the people who were up and coming.
 
JR: It was a powerful learning experience, and one that people responded to so emotionally and intellectually, from which they started programs with children like these. It made a difference. I was convinced, and I did get into filmmaking as a way of teaching.
 
VY: This story certainly resonates with me because it parallels what I did a few decades later. As you may know, I studied with a mentor of mine, James Bugental, who was 80 years old at the time. We kept saying that we needed to capture his work on film, because even though he’d written some brilliant books, it wasn’t the same as seeing someone actually work. He would often demonstrate his therapy through role plays.
 
I ended up filming him doing a few sessions and released a video, which was the beginning of my journey of creating a vast library of my own. One thing that strikes me about both of our stories is that they start with saying “yes,” and being willing, as you were with Fred Rogers, to then act on the suggestion. That’s the creative process of life — doing something and not knowing how it’s going to work, and seeing what happens. When you’re lucky and it works well enough, you can continue to take another step.
 
JR: It was for me, as I’m sure it was for you too; it’s another creative process. I found editing films that I created, one of which was about Fred Rogers and his teachings, to be great fun. I would have a hard time separating from it to do my wifely, motherly duties. Putting together image and sound was a way of teaching. Having written a bunch of books, it was a completely different teaching process.
 
VY: that’s the creative process of life — doing something and not knowing how it’s going to work, and seeing what happensIn addition to creating a number of films yourself, you also put out a call for other art therapists and creative types to send you films that you then curated into the library which you recently handed over to Psychotherapy.net. Hopefully, people reading this interview will be intrigued and want to look. It’s a very impressive and sizeable collection — well over 100 titles. Are there any that stand out or are there even a vignette or scene or two that pop into your mind that you can share with viewers just to entice them? This might give them a sense of some of the riches in the library.
 
JR: Well, I think for non-art therapists, one of the films that might be most helpful is about children who grieve. I’m trying to remember the title now.
 
VY: I think that was one that I just watched called “A Child’s Grief.”
 
JR: It was made in Canada. I got it because I gave a talk at the Toronto Art Therapy Institute where a guy came up to me and said, “I just made a film about people doing art therapy and music therapy; are you interested in seeing it?” He turned out to be a successful documentary filmmaker, but most of the people in that film doing the work were psychologists and social workers. There were also a few art and music therapists who used very clever kinds of instructions to help children deal with the loss of a parent or a sibling. But it was more structured than what I was describing that I would do.
 
VY: I just watched that and one of the messages I got was how children grieve in different ways. And using art therapy and creative approaches allows them to express that. And obviously, it’s not just children. We all grieve, and live, and emote in different ways.
 
JR: There’s another film from Canada which I think is inspiring. It’s called “A Brush with Life.” It shows some of the work at a Canadian hospital that had a good art therapy program. It also follows a little bit of a case study of this one woman, who I believe was probably borderline and was having terrible problem. You see her laying down talking to her analyst, but you also see her painting. You also see her in and out of the hospital, and you get a sense of how art played a big role in her recovery. As a case study, it’s inspiring.
 
I also think that of the two films you decided to distribute, “Art Therapy Has Many Faces,” is a good introduction to the field and is still used a lot. Many people have made subtitles in different languages because it’s an overview and provides a nice history. The other one, “Creative Healing in Mental Health,” shows different art and drama techniques that anybody can use with people of different ages.

Tapping into Creativity in Therapy

VY: Just to be clear, those are two of your films that we had previously incorporated into our collection with your generous cooperation. That was prior to you turning over your entire collection to us, which we’ve published.
 
So, for folks who are reading this interview and are inspired to learn more about art therapy and bring creativity into their work, are there other general pointers or guidelines or inspiring thoughts you have to encourage them?
 
JR: To inspire others to explore art therapy, I offer what Fred Rogers said to me about being on television — “Try it, you’ll like it. You’ll be surprised that you’ll find something of value in it.” Maybe start out with mental imagery by saying, “Is there an image that goes with that thought, or that statement, or that idea? After all, mental imagery is something that’s going on all the time and we don’t always paint it, right?!
 
VY: And that can help unfold inner exploration. Another thing I found is that it can also tell you something about the client that you wouldn’t know through typical verbal conversations. I recall a client of mine who was artistic but worked in commercial art or advertising.
 
One day, for whatever reason, I asked her, “What goes on in your mind, what do you think about when you’re walking down the street?” It was an unusual question in a sense. What she told me, I’ll always remember. She said, “I’m not really thinking, I’m just observing. I’m seeing patterns of light. I’m seeing colors. I’m seeing shapes.”
 
It struck me that her inner world was so unique, so different from mine. Most clients, most people for that matter, would never answer that way. Someone else might be thinking or planning about what they were going to do and be excited about it.
 
Some other clients’ minds might be constantly filled with ruminations or worry about what they had to do or what bad thing could happen. It just always stayed with me to be curious about that, and really drove home the point that every person’s inner world is so unique.
 
JR: That’s the beautiful thing about art. Whenever I’ve done a workshop with any group, whether it’s teaching or therapy or some combination of the two, the consensus is to use materials in a non-threatening way that are likely to come out looking pretty.
 
They suggested oil-based clay in different colors — plasticine, which you can get at the drugstore. It’s about fiddling around, warming it up, shaping it without even thinking about what you’re making, or picking three colors, and making something out of it. It’s a kind of doodling it, which reduces anxiety. And when you ask people to place what they’ve made in front of them, it’s as true with clay as it is with doodling, if you haven’t given the topic. The uniqueness of each person is so dramatically illustrated — it’s incredible.
 
As a side thought, I used to be an art teacher, so for a while I taught some art education classes to people working in elementary and secondary education. I would go to visit them to see how they were doing. For the teachers who were really good at it, their children’s work was engaging and unique. The teachers who were imposing, either consciously or unconsciously, or had their own aesthetic, had children whose work was very similar to each other’s.
 
VY: In my experiences, many adults don’t think of themselves as being creative, and believe that creativity is about being artistic or being able to do representational drawing. I grew up in an academic family, and was always a little interested in business, but it didn’t seem like a particularly creative field.
 
But when, kind of by happenstance, I started making videos and then creating Psychotherapy.net, it dawned upon me that the ultimate creativity is about having an idea and creating something out of nothing. There are many types of creativity, but it’s an act of creation, and a conversation like you and I are having.
 
I may have started with some questions I wrote out just to give me some structure, but as you and I are talking, I don’t know what I’m going to be saying, or certainly how you’re going to respond. I may have some ideas.
 
It’s going to be entirely unique, but hopefully capture the tension or the distinction we have between wanting to explain and categorize something, versus looking at that same something as a unique or individual expression. Specifically, I’m thinking of the diagnostic process because we are updating our DSM series which contains a variety of clinical diagnostic interviews. It’s been quite an interesting discussion and exploration.
 
We are exploring the uses, benefits, and the downsides of diagnosis and the diagnostic interviewing process. There’s some benefit to having a common language for communicating with other clinicians. And because there is this common diagnostic language, you can describe someone who is borderline, or depressed, or anxious to someone else, and they will have a clear sense of what you are saying — or at least, that’s the hope. But you also don’t want to get stuck limiting someone by saying something like, “this is your typical depressed patient who has sleep problems with accompanying anxiety. That doesn’t tell the whole picture.
 
If they do a drawing and you describe the drawing, you’re not going to put it into a category. You’re not going to say, “well, this is a typical, monochromatic scribble with jagged edges.” It doesn’t make sense to think about it that way.
 
JR: In the early days of art therapy, there was a great hunger for that kind of diagnosis derived from a patient’s artwork. Can you tell this is schizo or manic depressive? And of course, it turned out you couldn’t. Projective drawings were very big in psychology. Maybe you don’t know because maybe it was before you studied.
 
VY: in the early days of art therapy, there was a great hunger for that kind of diagnosis derived from a patient’s artworkActually, I did my dissertation on the Rorschach.
 
JR: The Rorschach is different because you’re projecting onto an ambiguous stimulus.
 
VY: Actually, there is a scoring system which is empirically validated, so I’d say that both are valuable. We need to have some explanations and some common language. But we also don’t want to put our clients’ inner experiences and creativity into a box.
 
JR:  This is my problem with what I call the acronym generation; the art therapists who are now certified in EMDR and CBT. Many of the young art therapists are learning these specific approaches, and they tend to use terms like directive art therapy, which makes me shudder, but that’s a common term. To me, it’s kind of anti-creative, but giving people a theme or a task that’s not bad. Inviting is OK, prompting even, but response art is very tricky. That’s one of the hazards in art therapy, that you have to train the therapists not to project their own ideas onto what they’re seeing, and to know themselves well enough so that they can separate their perception from what is actually being said or created by the client.
 
VY: And that’s the common issue in all therapies — how to be fully engaged with the client while also being aware of your own feelings and then using awareness of your feelings in a way that’s helpful for the client.
 
JR: Same idea. Response art has wonderful potential to do good, just like AI, but there are hazards as well.
 
VY: Just to be clear, can you define what response art is?
 
JR: I’m not sure who started the term, but Barb Fish recently did her dissertation on it, and it’s become very popular. I’m currently helping my friend, Millie Chapin, a fabulous artist, to sell her artwork online through a mutual friend. A lot of art therapists are actively practicing artists. She worked with Kohut and actually became a self-psychologist who then developed an interesting technique.
 
She would talk to the patient for a while to find out what was going on, and then she’d say, “Okay, let’s draw about that. I’ll draw and you draw and then we’ll talk.” It was her response to whatever the person told her and then they would talk about both drawings together. When she first had the idea, I remembered commenting that I thought it was dangerous for people who didn’t know themselves as well as she knew herself. But this technique has been embraced by many art therapists because they love using their artist-selves as part of what’s happening. So, it’s not always responding in the sense of actually responding to what somebody’s talked about. That’s Natalie’s technique.
 
VY: Natalie Rogers, right.
 
JR: Yes! It’s literally working alongside, which can be quite helpful. I did some of that while I was working with groups of children to inspire a kind of Pied Piper kind of thing. I call that the Pied Piper Effect, because I would start working with the material then they would all start wanting to work with the material. It has an impact when the therapist becomes an important person in the process. And no matter how they try to pretend that they are on equal footing, and that the activity is a collaborative process, clients hope the clinician knows a heck of a lot more than they do.
 
VY: As we end, Judy, I know we’ve only been able to tap into a small percentage of the stories of your life and your professional development. And as our readers know, or hopefully now understand, you were right there at the beginning of the creation of the entire field of art therapy. You’ve been working since the early 60s, so have had an illustrious career, but clearly, your passion, interest, and curiosity, as far as I can tell, remain as high as ever. And that’s inspiring. I hope that those reading this interview will, by osmosis, feel a little bit of that. And hopefully this will encourage them to learn more about the field, especially by watching the videos you’ve created as they continue their own journeys through life and therapy.
 
JR: Well, I hope so, too, and that they look at the titles and trailers. It’s much like choosing the art material because there are case studies. There’s work with individuals, groups, families, and couples. So, for me to choose for somebody else what they should watch when you asked earlier, “what stands out,” is hard for me too, because I think it has to appeal to them, and then they’ll get something from us.
 
VY: Thank you, Judy, for taking the time to share your journey.
 
JR: Thank you, Victor, for asking.
 
 

About Judith Rubin

Judith Rubin, a pioneer in the field of art therapy, is on the faculty of the Department of Psychiatry, University of Pittsburgh and the Pittsburgh Psychoanalytic Society & Institute. She is a Registered, Board-Certified Art Therapist and a Licensed Psychologist. Dr. Rubin is the author of five books, including: Child Art Therapy, The Art of Art Therapy, and Art Therapy: An Introduction. She was the “Art Lady” on Mister Rogers’ Neighborhood in the 1960s